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Zhaojun Museum locates 9 kilometers to the south Hohhot and 20 kilometers to Hohhot Baita International Airport. Meanwhile, it closely neighbors 209 National Highway at the east side and stands next to Inner Mongolia Garden at the north side. The museum covers an area of 205 mu. In 2014, after recommendation and comparison, Inner Mongolia has confirmed 14 tourist attractions, and Zhaojun Museum has been selected. Besides, as the celebration project of 2017 Hohhot 70th anniversary ceremony, the museum was completed in August, 2017.
▼建筑外貌,exterior view
After repeated verification and comparisons, the new site of Zhaojun Museum was eventually selected to locate at the starting point of Zhaojun Green Tomb south axis. On one hand, in order to promote the whole scenic spot to upgrade to 5A level, this new site has bestowed more functions upon the museum, such as ticket office, visitors’ center, catering service, souvenir shop and parking lot and so on. On the other hand, since the massive architecture is set at the origin of paved path and the south front of scenic spot, it will reform the site to create a new axis, and then be connected to the Zhaojun Aotsuka – built 2000 years ago in time and space.
再现与再造Reappearance and Recreation
According to the archaeological researches, Zhaojun Aotsuka was built in Han Dynasty 2000 years ago and rammed with earth. It infers that there once existed a wooden-structured pavilion on it. After years of endurance, it has been destroyed completely, the height of current Zhaojun Aotsuka is around 31 meters. The new museum intends to pay tribute to Zhaojun Aotsuka by representing construction statue and emotion.
▼落日下的建筑,architecture in the dusk
穿越与汇聚Traversing and Gathering
The interestingness of public behavior is decided by the diversity and interactivity of people. The large funnel-wedge-shaped sunken plaza on the southern side of the museum is designed to gather visitors to the park’s entrance space compulsively to a certain extend. It also intends to create more possibilities for interactivity. The massing of the museum makes way for the central axis, allowing the Zhaojun Aotsuka to be visible from the outside, and even from the city road. As people pass through the axis, the image of the Zhaojun Aotsuka varies from visible to invisible, from disappeared to exposed, which creates interactions with people.