纯白主义的建筑 Pure White Volumes 坐落于中国首个艺术综合体“艺海棠”，三亚当代艺术馆前馆定位为国际性的艺术品展示空间。负责其建筑改造与空间设计的 DA INTEGRATING LIMITED，基于场地环境及当代艺术的属性，摒除原始建筑多余的形体，以恰当的分寸，极简的手法，再造两个彼此独立又隐性关联的大小盒子，宛如散落生长在草地上的艺术装置。

Located in China’s first art complex called ‘Art Haitang’, the front zone of Sanya Museum of Contemporary Art is designated as an international art exhibition space. DA INTEGRATING LIMITED was commissioned to do its architectural transformation and spatial design according to the on-site environment and the feature of contemporary art. This involved eliminating the original building’s excess form and structure based on a suitable and simple method for remaking it into a pair of big & small boxes, standing independently yet invisibly connected between each other. These boxes also resemble art installations that are scattered throughout and grow in the surrounding lawn.

▼远观项目，viewing the project at distance© 虞逸辰

▼从草地望向建筑，viewing the project from the lawn © 虞逸辰

▼彼此独立又隐性关联的大小盒子，a pair of big & small boxes, standing independently yet invisibly connected © 虞逸辰

现代主义“白色派”建筑师理查德·迈耶曾说，“对我而言，白色就是所有的色彩”。

本案建筑设计依循直觉之“纯净的白”，全白的外观，干净的线条，空间体块了然呈现。

外墙极具质感的肌理漆强化纯粹无杂质的整体感，用材料重塑感知的关系，为天空、青山、水与光构成的三亚生态铺垫“作画”的底色。

Richard Meier, the architect renowned for his iconic white buildings, once said that “for me, white is the most wonderful color because within it you can see all the colors”. In this project, the architectural design was created based on an intuitive perception of ‘pure white’, which involves a fully white exterior, clean lines, and vivid spatial massing. Its exterior walls have extremely realistic textured paint to strengthen the overall feeling of purity. We use materials to reconstruct perceptual relationships, while providing background color for the sky, mountains and water that comprise a ‘painting’ of Sanya’s ecological layout.

▼全白的外观，干净的线条，fully white exterior, clean lines © 虞逸辰