来自Fnji梵几

Appreciations towards

Fnji for providing the following description:

9月1日，中国独立家具设计品牌梵几十周年之际，在北京黑糖盒子艺术中心先锋性地举办了中国首次家具设计展演——寻河，以“场景诗与物体剧”的形式呈现品牌十年的历程。这是中国家具设计品牌历史上，第一次以“秀场”的形式将品牌理念和新品发布结合。梵几从创立到不断变得完整，如同一条寻河之路，是对自身的寻回往溯，并在永恒的时间之下，一直流动，延续。十年时间，梵几所做的事都在诠释“生长于野，安于室”，这一融注在血液里的品牌理念。

2020 September 1st, on the tenth anniversary of Fnji, a Chinese independent furniture brand, the first furniture design performance in China–Dream Flow, was held at the Beijing Hey Town Art Center, presenting the ten years of the brand in the form of “scenic poetry and object theater”. This is the first time in the history that a Chinese furniture brand combines its brand concept with new collection release in the form of a “show”.

Since its establishment, Fnji has become increasingly integrity and perfect. It is like a journey in search for a river and tracing of self, which keeps flowing and going on in the eternal time. What Fnji has done in the past decade is interpreting the concept of “Nature Bred, Home Nourished” that is flowing in the blood of the brand.

▼梵几2020山脊线新品系列，Fnji 2020 Crest Line New Collection©梵几

自然，是“生长于野“的基因。中国的道家哲学有“道法自然”的表达，人与自然的亲近感是与生俱来的。梵几始终坚持以实木为主体，融合皮、羊毛、石材等多种自然材质，将取诸山野的灵气回归日常生活之中。而从自然形态中汲取的灵感也造就了梵几诸多经典之作，如螳螂椅、豆荚摇椅、海星椅等。

Fnji carries the gene of “Nature Bred”. The Taoism of China has an expression, “Tao models itself after nature”. The intimacy between humans and the nature is inherent. Fnji has always insisted on taking solid wood as the main material and using a multitude of natural materials like leather, wool and stone, infusing the spirit of the nature back to the daily life. The inspiration drawn from the natural forms has also give birth to various classical works of Fnji such as Mantis Chair, Peascod Rocking Chair and Starfish Chair.

▼从自然中汲取灵感，inspired by the nature ©梵几

“安于室”，是梵几关于传承的凝练和表达。通过对东方文化与传统生活的感知，结合现代人的生活方式，将东方韵味与哲思付诸于设计的灵感之中。梵几一直坚持手工打磨，保留木材原生纹理与质感，呈现冷硬的工业化制造无法复制的微妙细节和温润触感，是对中国传统技艺的传承与保护，也是对设计的极致追求。

"Home Nourished" is the refinement and expression of Fnji on inheritance. By perceiving the Oriental culture and traditional life and combining with the lifestyles of modern people, the Oriental flavor and philosophy are incorporated into the inspiration of designers. Fnji has always insisted on manual polishing to preserve the natural wood grain and texture, presenting the subtle details and a gentle touch which cannot be copied by the cold and hard industrial manufacture. It is the inheritance and protection of traditional Chinese craftsmanship, as well as an ultimate pursuit of design.

▼梵几2020山脊线新品系列的用场景，usage scene of Fnji 2020 Crest Line New Collection©梵几

梵几2020山脊线新品简介

风筝床

Kite Bed

尺寸：L/W281 P/D233 H112适用床垫尺寸L/W180 P/D200 H220

风筝床的设计灵感来自于中国传统的风筝燕子，床的靠背部分取了风筝燕子的翅膀造型，硬体的实木线条有一个向后弯曲的张力，而软体部分则向使用者围合，增加舒适度。实木和软体用金属五金连接，形成一种空间感，让人联想到传统水墨画的虚实关系。床脚的部分则汲取了燕子尾部纤细、外扩的造型。这款床因为靠背的软体部分厚度较大，可以最终与实木部分在一个平面，因此可以靠墙放，也可以单独放置，隔开卧室的空间。

The design of the kite bed is inspired by traditional Chinese swallow-tailed kites. The backrest of the bed takes the shape of the wings of a swallow-tailed kite. For the hard part of the bed, the solid wood lines have a backward bending tension, while the soft part of the bed encloses the user to increase the comfort. The solid wood and the soft part are connected with hardware to create a sense of space, reminding us of the relationship between virtual and reality in traditional ink wash painting. The foot of the bed takes the shape of the swallow’s tail, slender and expanded. Because of the heavy thickness of the soft part of the backrest, this bed can be placed on the same plane as the solid wood part. Therefore, it can be placed against the wall or placed independently to separate the space of the bedroom.

风筝床，kite bed ©梵几