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武汉良友红坊ADC艺术设计中心丨中国武汉丨UAO瑞拓设计
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发布时间:2022-05-25
设计亮点
该设计巧妙地利用原有建筑结构,打造出富有层次感的展览空间,同时保留了工业历史的痕迹,体现了现代与历史的完美结合。
本项目的前身是五栋建于上世纪六十年代和上世纪九十年代厂房建筑。该建筑处于总个园区的核心位置,改造后的功能为公共设计艺术中心,主要用途为展厅,用于举办各种艺术、设计类的展览活动。原有建筑是五栋连在一起的坡屋顶建筑,三栋建于 1960 年代,原有功能为仓库,结构形式为砖混结构,木桁架,红色瓦屋面,屋脊高度为 7 米。在 1990 年代,该建筑组转换为建材市场,在三栋建筑的中间空地,加建了两栋厂房,新建的砖柱贴着老仓库的柱子建设,屋顶为钢桁架结构,屋面为石棉瓦屋面,屋脊高度为 9 米,相邻建筑高差部分为新建建筑的天窗。
The predecessor of this project is five factory buildings built in 1960s and 1990s. The building is located in the core of the total park, and the transformed function is the public design art center. The main purpose is exhibition hall, which is used to hold all kinds of art and design exhibitions.
The original building is a series of five sloping roof buildings, three of which were built in the 1960s, with the original function of warehouse; the structural form is brick concrete structure, wood truss, red tile roof, and the height of roof ridge is 7 meters; in the 1990s, the building group was transformed into a building materials market, and in the middle open space of the three buildings, two additional plants were built, and the new brick columns were pasted with the pillars of the old warehouse, with the roof Steel truss structure, asbestos tile roof, ridge height of 9 meters. The height difference between adjacent buildings is the skylight of new buildings.
▼艺术设计中心外观,exterior view of the art design center ©赵奕龙
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武汉良友红坊ADC艺术设计中心丨中国武汉丨UAO瑞拓设计-4
建筑的正立面被设定为北侧横轴方向,主入口需从北侧的广场进入。广场景观也由 UAO 来设计,为配合广场上大舍设计的花草亭,UAO 将原有的停放货车的园区广场混凝土路面进行了切割,切割出不规则的缝隙,并在缝隙里种植了草皮;既呼应了花草亭支撑结构的不规则块面,又保留了厂区历史的痕迹。
The facade of the building is set in the direction of the North horizontal axis, and the main entrance needs to enter from the square on the north side. The square landscape is also designed by UAO. In order to cooperate with the flower and grass Pavilion designed by the Atelier Deshaus on the square, UAO cut the original concrete pavement of the park square where trucks are parked, cut out irregular gaps, and planted turf in the gaps. It not only echoes the irregular block surface of the flower and grass Pavilion support structure, but also retains the traces of the plant history.
▼艺术设计中心外观,设有广场,建筑周围种有草皮,exterior view of the art design center with a square,the building is surrounded byturf©赵奕龙
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武汉良友红坊ADC艺术设计中心丨中国武汉丨UAO瑞拓设计-8
花草亭的位置被安置在原有建筑的正中轴线上,新的 ADC 艺术设计中心建筑入口应从花草亭的广场进入,因此入口必须从较窄的横轴柱距进入。UAO 的解决方案是在五个连排建筑的正中切开一个光轴:将中间两跨到三跨(8-12 米)的屋顶打开,移除瓦屋面,保留木桁架(或钢桁架)。屋顶打开后,光线进入建筑内部,自然地形成了一个序列空间。这个序列空间被设定为类似拉斐尔名画《雅典学院》式的中轴艺术大道,它是主要的交通空间,顺势串联起两边的展厅,形成经典的展览建筑“鱼骨”状平面布局。
中轴两侧的展厅分隔墙,使用拆下来的红砖砌筑成清水砖墙。中轴的局部的屋顶被打开,形成露天的中庭;而顶部的钢或木桁架结构被保留,白天桁架的光影会投射在主轴两侧的墙面上。
▼改造策略分析图,concept diagram ©瑞拓设计
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武汉良友红坊ADC艺术设计中心丨中国武汉丨UAO瑞拓设计-12
▼爆炸轴测图,the exploded axon©瑞拓设计
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武汉良友红坊ADC艺术设计中心丨中国武汉丨UAO瑞拓设计-14
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