纸亭以回收废纸为材料进行设计，开拓了一种可持续性设计的方式。展亭最初是为哥本哈根艺术博览会（CHART）设计的，博览会结束后又经过重新设计并永久安放在哥本哈根市中心的Kunsthal Charlottenborg博物馆中。

Paper Pavilion is designed with upcycled wasted papers to develop the new sustainable design method. The pavilion was originally created for Copenhagen Art Fair (CHART) and it was redesigned and relocated perma-nently to Kunsthal Charlottenborg Museum locates in the heart of Copenhagen.

▼纸亭外观，exterior of the Paper Pavilion  ©Yuta Sawamura

第五届哥本哈根艺术博览会要求展馆设计符合可持续性施工和制造方式，具有城市化特点和使用可升级再造的材料进行设计。PAN- PROJECTS提出了一种“适度耐久性”作为新型可持续设计策略：不让展馆超出所需建筑强度，而是借助合适的材料让展馆使用寿命仅持续到展览结束。基于这个角度，纸亭设计以纸张材料为出发点，打造一个寿命可以持续三天的展馆建筑。在这种情况下，纸张作为最合适的材料，不仅是因为它的可回收性，也是因为它的强度性能。纸张作为一种只适用于这种短期活动的材料，为展馆带来了一种独特性，展现了新型可持续性设计策略的潜能。

The fifth edition of CHART sought pavilion designs in line with notions of sustainable construction and fabrication method; urbanization and up-cycled material design. PAN- PROJECTS proposes an “appropriate durability” as a new sustainable design method: not to set up excessive architectural strength to a pavilion but rather construct with appropriate materials that only last for the duration of an event. From this perspective, Paper Pavilion is designed by considering paper as an architectural material in order to create the appropriate pavilion for 3 days last art fair. In this condition, papers appeal as the most suitable material, not only because it is a recyclable material but also because of it’s strength. Paper is the material that is only usable for such a short-term event, which feature provides certain uniqueness to the pavilion that indicates the potential of the new sustainable design method.

▼博览会中的纸亭，Paper Pavilion at the fair  ©David Hugo Cabo

▼纸亭设计以纸张材料为出发点，打造一个寿命可以持续三天的展馆建筑，Paper Pavilion is designed by considering paper as an architectural material in order to create the appropriate pavilion for 3 days last art fair  ©David Hugo Cabo