栖斯设计接受木岛工作室委托，为他们设计新的摄影工作室。这个 300 平方米的场地被划分为三个功能空间，分别是：1.内部人员拍摄使用的白棚空间；2.内部办公空间；3.充当商业摄影拍摄背景的实景棚空间。其中实景棚空间是本次设计的重点。

Qisi Design was commissioned by Woodland to design their new photography studio. The 300-square-meter site is divided into three functional spaces: 1. white studio for internal staff, 2. office space, 3. the real scene studio to serve as a backdrop for commercial photography shoots. The real scene studio is the focus of this project.

▼室内空间概览，overview of the interior space©吕晓斌

木岛工作室在商业产品摄影上有很强的专业性和创新性。在开始设计之前，我们首先分析了木岛工作室的摄影作品，希望从中找出好的商业摄影作品的规律，或者一类商业摄影项目的特点。这样我们便可以站在摄影师拍摄的角度去设计实景棚空间，创造出有利于商业摄影拍摄的场所。剥离出图面的叙事含义，只从形式层面分析，我们发现了立体主义绘画与当代商业摄影的紧密联系。概况总结为以下几点：1.浅透视；2.空间层化结构；3.图面能够引发观者的深入探索以及多元解读。

Woodland has strong professionalism and innovation in commercial product photography. First, we analyze the photographic works of Woodland. We hope to find out the rules of good commercial photography, or the characteristics of a type of commercial photography project. In this way, we can design the real scene studio from the perspective of the photographer, and create a place that is conducive to commercial photography. Stripping out the narrative meaning of the picture and analyzing it only from the formal level, we find the close connection between cubist painting and contemporary commercial photography. The overview is summarized in the following points: 1. Shallow perspective; 2. spatial stratification; 3. The drawing can lead to in-depth exploration and multiple interpretations of the viewer.

▼立体主义绘画与当代商业摄影图像的关联分析 an analysis of the relationship between cubist painting and contemporary commercial photographic images©栖斯设计&木岛工作室

经过近百年的发展，立体主义对当代摄影、设计产生巨大的影响。它已经渗透到每个人的日常生活中，不论是否经过专业的立体主义绘画训练，摄影师、设计师都在潜移默化地使用立体主义的原则进行创作，受众也潜移默化地用立体主义的原则来做判断。我们在设计实景影棚这一专门生产照片的场所时，需要脱离形式的表象，用形式的底层逻辑设计，这样才能创造出具有更多形式可能性的拍摄空间。

After nearly a hundred years of development, Cubism has had a huge impact on contemporary photography and design. It has penetrated into everyone’s daily life. Regardless of whether they have undergone professional cubist painting training, photographers and designers are subtly using the principles of cubism to create creations, and the audience is also subtly using the principles of cubism to make judgments. When we design the real scene studio, a place specializing in the production of photos, we need to break away from the appearance of the form and design with the underlying logic of the form, so as to create a shooting space with more formal possibilities.

▼整体轴测图，axonometric drawing©栖斯设计

柯林罗的《透明性》为我们提供了理论指导。《透明性》将立体主义绘画与空间形态设计联系在一起，提供了一种理性的形式设计思路。在这个项目中，我们将空间的透明性原则与相机镜头取景规律结合，进行具体的空间设计。根据场地的形态，设计师将三种功能由南至北排列。南侧是供内部人员使用的白棚空间，北侧是对外出租的实景棚空间，两个场地之间通过办公空间分隔。

Colin Rowe’s “Transparency” provides us with theoretical guidance. It links cubism painting with spatial form design and provides a rational form of design ideas. In this project, we combine the principle of spatial transparency with the rules of camera lens framing to carry out specific space design. According to the form of the site, the designer arranged the three functions from south to north. The south side of the site is the studio for internal personnel, and the north side is the real scene studio for external rental. The two spaces are separated by office space.

▼通向二层内部办公区的景观楼梯以及通向白棚的通道 landscape stairs leading to the office area on the second floor and the corridor leading to the white studio ©吕晓斌