今年夏天，Holloway Li 事务所在慕尼黑 Sendling 区揭幕了先锋生活方式酒店品牌 Locke 的最新分店——WunderLocke。设计旨在降低建筑对环境的影响，将室内改造的重点放在与自然的连接上。项目将以 Mural 农舍餐厅为基础，围绕“从农场到餐桌”的概念，将五处别具一格的餐饮场所分布在建筑的七个楼层中。WunderLocke 坐落于慕尼黑工业区奥伯森德林一座纪念碑式的前西门子办公楼内，为客人们提供了高达 360 间的公寓式客房。与其对原建筑做出大刀阔斧的改造，Holloway Li 事务所的设计师们提出了一系列低影响、高可持续性与适应性的干预策略，将现有混凝土框架保留并暴露在空间中，并通过精心的设计与轻微的改造营造出舒适宜居的生活氛围。

This summer Holloway Li unveils WunderLocke in Sendling, Munich – the latest outpost of pioneering lifestyle aparthotel brand Locke – a low impact design which will focus on renewal through connection to nature. The site will be underpinned by Mural Farmhouse, a unique farm-to-table concept, comprising five food and drink destinations over seven floors. Based in the industrial Obersendling district of Munich, the 360-studio aparthotel occupies a monumental ex-Siemens office building. As an alternative to the typically material intensive approach to retrofitting, Holloway Li have developed their low-impact and adaptive re-use design approach, exposing the bare bones of the existing concrete frame with carefully curated minimal layers of ‘dressing’.

▼项目概览，overview

Holloway Li 团队借鉴了康定斯基的现代主义艺术理论与美学原则，而 20 世纪早期在慕尼黑的生活便是奠定这位巨匠艺术生涯的重要时期之一。康定斯基的作品探索了如何通过抽象的方式，而不是通过当时备受追捧的具象方式，来与自然建立更紧密的关系。他认为，通过探索事物的“内在共鸣”（inner Klang），艺术家可以揭示物体和材料的自然本质，由此产生的视觉语言则旨在探索结构和色块之间的张力。设计师根据康定斯基的艺术理论揭示了现有西门子大楼的“内在共鸣”，将多余的装饰剥离，露出现有建筑的原始混凝土框架，以能够代表当地历史的工业废墟为骨架，填充具有丰富故事性的空间血肉。

Holloway Li grounded their approach to the existing structure by referring to the rich theory and aesthetic of artist Vasily Kandinsky, who was based in Munich for a significant period in the early 20th century. Kandinsky’s work explores how we can develop a closer relationship to nature through abstraction, rather than through more figurative approaches favoured at the time. He believed that by connecting with the ‘Innerer Klang’ (inner voice) of things, an artist could reveal the natural essence of objects and materials. The resulting visual language explored the tension between structure and amorphous masses of colour. The designers used Kandinsky’s theory to reveal the ‘Innerer Klang’ of the existing Siemens building. Superfluous ornament was stripped back to reveal the raw concrete frame of the existing building, a quasi-ruin of the area’s industrial past around which the offshoots of renewal could be cultivated.

▼接待区域，reception area

▼木制接待台，the wooden repletion bar