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澳大利亚弦月屋 · 黑色木材与光影共舞
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发布时间:2013-04-18
设计亮点
弧线定义的优雅空间,黑暗与光明共存,将月季墙变为艺术品。
非常感谢
Andrew Burns Architect
Appreciation towards
Andrew Burns Architect
for providing the following description:
Andrew Burns Architect
是一个来自澳大利亚的建筑事务所,他们的业务遍布全球。Andrew Burns Architect也在寻找在中国的发展机会,无论是项目合作还是商务拓展人员,如果您感兴趣,不妨和他们联系吧。
澳大利亚悉尼帕丁顿谢尔曼当代艺术馆每年都要安装一系列临时展馆,期望用不一样的建构带给人们不一样的体验和认知。这个优雅的展馆空间被两道稍微相交的弧线定义,弧线交界的细薄之处与整体的质量形成对比。介于建筑和艺术之间的临时展馆将寻常的月季攀爬墙变为具有品位的镜子。黑色的木材是将雪松板焦化而成,部分上面穿孔,形成夜空星光般的光效,在这里,黑暗与光明并存。
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澳大利亚弦月屋 · 黑色木材与光影共舞-8
‘Crescent House’ is the first in an annual series of temporary pavilions to be installed at Sherman Contemporary Art Foundation in Paddington, Sydney. The aim of this ‘Fugitive Structures’ program is to engage a wide audience with architectural thought.
Two arcs are set within an apparently simple rectilinear form. The arcs bisect, creating a pair of infinitely sharp points and a threshold to the space beyond. This combination of fragility and robustness seeks to charge the conversations within the space with a particular quality.
The structure has an ambiguous presence; between architecture and art object. Through framing, it transforms an ordinary rose apple hedge into a landscape of beauty. The pavilion responds to elemental themes; darkness and light, the wonder offered by the night sky and the burnt quality of yaki-sugi (charred cedar) recalling the presence of bushfires on this continent.
The pavilion and has been initiated and supported by Sherman Contemporary Art Foundation, BVN Donovan Hill, Andrew Cameron Family Foundation and the Nelson Meers Foundation.
Photography copywright Brett Boardman
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