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      以

物象原初的自然形态

，

将空心砖

、断墙等自然物与现场环境结合

，

物质或物体被安排在一个场所，

这个场所就

生动地产生了“与存在相遇”或“与存在对峙”的关系

。

重要的不是自然物本身，而是它们自身传达出的存在感。

它们存在于场所和空间中，进而在空间中消解，与空间和环境融为一体，达到“物我两忘”的同一状态，主体和客体不再是主动与被动的关系，都实现了充分的自由。

      In the original natural form of the object image, the natural objects such as hollow bricks and broken walls are combined with the scene environment, and the material or object is arranged in a place, which vividly produces the relationship of "meeting with existence" or "confronting with existence". What matters is not the natural things themselves, but the sense of being that they convey. They exist in the place and space, and then dissolve in the space, and integrate with the space and environment to achieve the same state of "forgetting both things and me". The subject and the object are no longer active and passive relations, and have achieved full freedom.

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     “静寂”与日本传统文化中的“空寂”有异曲同工之趣。“就是‘主客合一’、‘物我相忘’的境界；就是‘还没有主客分离，还没有物我差别’的状态；就是‘没有精神和物质的区别，只有物即心，心即物’的状态；就是‘心物合一’的境界。”

      “Silence” is very much alike the “empty” in Japanese culture. It is a realm like combination of subject and object and forget everything; There is no difference in sprit and material and you could feel the unity of mind and material.