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如恩个展 | 反思型怀旧,柏林
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发布时间:2022-10-25
设计亮点
怀抱现代性的矛盾,多维探索想象中的过去与未来。
如恩个展「反思型怀旧」于2022年10月14日晚在德国柏林知名建筑机构Aedes建筑论坛(Aedes Architecture Forum)拉开帷幕。展览以 “反思型怀旧”为起点,呈现如恩多年来对于建筑及设计思考的不断演变——怀抱现代性的矛盾,多维探索想象中的过去与未来。展览将持续至11月30日。

Neri&Hu’s solo exhibition Reflective Nostalgia opened at Aedes Architecture Forum in Berlin on October 14th, 2022. Based on the concept of “reflective nostalgia”, the exhibition showcases Neri&Hu’s works that embrace the contradictions of modernity and explore multifaceted plot lines, imaginary pasts and prospective futures. Neri&Hu: Reflective Nostalgia will last until November 30th, 2022.

活动海报,The exhibition poster
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如恩个展 | 反思型怀旧,柏林-3
Hans-Jürgen Commerell(Aedes 建筑论坛总监)、陈伯康(荷兰Het Nieuwe Instituut馆长及艺术总监)、郭锡恩(如恩创始合伙人)共同出席了开幕仪式并现场致辞,李翔宁(同济大学建筑与城市规划学院院长)、Manuel Aires Mateus(Aires Mateus事务所创始人)、Peter Eisenman(Eisenman Architects事务所创始人)、胡如珊(如恩创始合伙人及同济大学建筑系系主任)则远程致辞。

Hans-Jürgen Commerell (Director of Aedes Architecture Forum), Aric Chen (Artistic Director of Het Nieuwe Instituut) and Lyndon Neri (Founding Partner of Neri&Hu) speaking at the opening followed by video messages from Li Xiangning (Tongji University College of Architecture and Urban Planning), Manuel Aires Mateus (Founder of Aires Mateus), Peter Eisenman (Founder of Eisenman Architects) and Rossana Hu (Founding Partner of Neri&Hu and Chair of the Department of Architecture at Tongji University)

▼开幕现场,Opening

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如恩个展 | 反思型怀旧,柏林-7
常年于亚洲各大城市辗转旅居,如恩逐渐发现 “大城市”正越发惊人地趋于相似。从深圳或首尔,到吉隆坡或曼谷,清一色的玻璃幕墙大厦鳞次栉比,占领了各大商业圈,几乎掩盖了原有的城市记忆。在中国,城市化和现代化的大规模快速发展更是加剧了这种现象。如恩在快速发展的中国进行设计实践,很快就发现自己陷入了“拥抱先进现代技术”与“回归历史主义怀旧”的两难窘境中。
入口,The entrance
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如恩个展 | 反思型怀旧,柏林-10

In recent decades, living and traveling extensively throughout Asia, Neri&Hu observes the alarming trend of Asia’s major metropolises becoming more and more alike. From Shenzhen or Seoul to Kuala Lumpur or Bangkok, the army of glassy high rise towers marching through each of their CBDs nearly obliterates any perceivable differences between these cities. In China this phenomenon is exacerbated by the sheer scale at which its process of urbanization and modernization has occurred. Practicing in China, at this critical moment, Neri&Hu finds themselves caught between “the optimization of advanced technology and the ever-present tendency to regress into nostalgic historicism.”

▼展览现场,the exhibition scene

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如恩个展 | 反思型怀旧,柏林-13
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