Architects:XDGA - Xaveer De Geyter Architects

Area :33000 m²

Year :2019

Photographs :XDGA - Matthias Van Rossen

Manufacturers :  AutoDesk, Ceramica Vogue, Lindner, Schüco, Allard & Fils, Alphenberg Leather, Axioma Lighting, Blitta Gevelsystemen, Clestra Hauserman, IMW, Metalprojects, Modulyss, Mullerafbouwgroep, Sikafloor, TransportbetonAutoDesk

Landscape :Michel Desvigne Paysagiste

Structure :Bollinger + Grohmann

Energy Consultant :Transsolar

Competition : Xaveer De Geyter, Doug Allard, Christophe Antipas, Lieven De Boeck, Yannis Igodt, Paul-Emmanuel Lambert, Federico Pedrini, Marie-Pierre Vandeputte

Definitive Design : Xaveer De Geyter, Yannis Igodt, with Doug Allard, David Ampe, Tom Bonnevalle, Karel Bruyland, Elena Caruso, Joris De Greef, Denisse Florea, Arie Gruijters, Annelotte Herrebosch, Willem Van Besien, Peter Vande Maele, Yannick Vergnaud, Stéphanie Willocx

Implementation : Xaveer De Geyter, Tom Bonnevalle, Yannis Igodt

Clients : Province of Antwerp

Techniques : Boydens

City : Antwerp

Country : Belgium

The new building replaces a complex of modernist building volumes that used to occupy the entire site and could not be adapted to today’s sustainability standards. As the Antwerp city centre has few public green surfaces, the transformation of the site from a merely private, mineral, and infrastructural area into a public garden is a crucial requirement of the competition brief. Surrounded by fragments of public green, the parcel is key to the formation of a larger, coherent park. Another – contradictory - demand was to maintain a more recent representational pavilion, which was positioned as an obstacle in between the fragments.

By situating the full program in a compact volume across the pavilion, this frontage is cut up and the main entrance is brought close to the street. This large volume, however, divides the park in a front and a back garden. Finally, by rotating the plan around one of its corners as it climbs up, the building shifts towards the centre; existing neighbouring buildings are respected and a sculptural form emerges.