这栋建筑由相互垂直的两个体块组成，南北向的部分与街道平行，补齐了沿街建筑的连续立面；东西向的部分深入街区内部且楼层高低错落，最高的部分有 11 个楼层，此处由三个电梯井中的最后一个贯穿。因此，从形态类型学的角度来看，该建筑是幕墙式（沿街区边界围合）、线型和塔式的复合体。

The building is composed of a wing that completes the block’s perimeter wall on Viale Umbria and an orthogonal wing that extends in depth towards the center of the block, with the last of the three stairwells extending the height of the building’s eleven above-ground floors: from the morpho-typological standpoint, the building is therefore a hybrid between a block’s perimeter wall type, a slab type, and a tower type.

▼项目概览，overall of the project

该项目的空间句法基于立面上不对称的悬空体块组合：沿街的立面有四个一层楼高的弓形窗，以及一个形状相似的凉台，而南立面有两个四层楼高的悬挑凉廊。具有不对称凸出体块的立面设计在米兰有很多先例，例如 Perogalli 和 Mariani 的 Casa Astratta(1951-52)，也是幕墙型；或者就线型结构而言，Gigi Caccia 位于 Via Nievo 28/a 的住宅(1955-57) 和 Latis 兄弟的 Via Rossetti(1959-60)（尤其是后侧立面）也是很好的例子。在这些案例中，恰到好处的凸起（弓形窗）体现了立面的动态和不对称的形态构成。

The syntax of the project is based on a composition of the façade using asymmetrical overhangs: the façade on the Viale has four one-story-high bow windows (plus an additional body, similar to the previous ones, in the form of a loggia), while the south façade has two protruding loggias four stories high. A façade design with asymmetrical protrusions has various precedents in Milan, such as the Casa Astratta by Perogalli and Mariani (1951-52), also a curtain wall or, in terms of parallel structures, the residences by Gigi Caccia on Via Nievo 28/a (1955-57) and by the Latis brothers on Via Rossetti (1959-60), especially the rear façade. In all these cases, the modest protrusions (bow windows) exemplify a dynamic and asymmetrical composition of the façades.

▼立面上不对称的悬空体块组合

composition of the façade using asymmetrical overhangs

▼周围的建筑突出了本项目立面的动态和不对称的形态构成

The surrounding buildings highlight the dynamic and asymmetrical composition of the facades

▼由项目看周边环境，viewing the surrounding environment from the project