设计是一种从无到有的过程，这一次，我们为自己设计了一个新故事。我们把「大人」藏在了成都钢管厂一区原址的一处老街之中，让它显得特别而不突兀，我们希望由此传达出一种“小隐于野，大隐于市”的理念，让“日式烧鸟屋”的精髓得以保存。在设计的处理中，我们避开了传统的刻板印象，以及自我感动式的矫情，以精致的粗旷作为突破口。所以「大人」会显得与一般的日料店有所不同，抛舍了像“白灯笼、粗体毛笔字、竹质牌匾”等常见的日式元素。取而代之的是烧痕纹理般的金属大门，厚重质地的现浇混凝土墙面，以及如同夏夜般的墨绿幕布。我们希望以温暖的色调，暧昧的氛围，复古的烟火气覆盖流于表面的“日式风情”，而以斑驳感和肌理感充实“日式精髓”。美，而服务于人。

Design is a process from scratch. This time, we have designed a new story for ourselves. We hid “adult” in an old street in the original site of Chengdu steel pipe plant area I, making it special and not abrupt. We hope that this will convey a concept of “little hidden in the wild, big hidden in the city”, and preserve the essence of “Japanese style bird house”. In the process of design, we avoid the traditional stereotype and the self moving affectation, and take the exquisite rough as the breakthrough. So “adult” will appear different from the general Japanese material shop, leaving behind common Japanese elements such as “white lantern, bold calligraphy, bamboo plaque”. Instead, there are burned grain metal gates, thick cast-in-place concrete walls, and dark green screens like summer nights. We hope to cover the “Japanese style” on the surface with warm colors, ambiguous atmosphere and retro fireworks, while enrich the “Japanese essence” with mottled feeling and texture. Beauty serves man.

▼餐厅门面，避开了传统的刻板印象， facade of the restaurant, avoid the traditional stereotype

▼烧痕纹理般的金属大门，厚重质地的现浇混凝土墙面， burned grain metal gates, thick cast-in-place concrete walls

▼门上的幕帘，curtain on the door