Invited to the Energy For Creativity exhibition organized by the Italian magazine Interni, Annabel Karim Kassar Architects chose to display a monumental architectural structure in the Cortile 700 and a vision of everyday life in a Lebanese room.

Through the bellows of old cameras, Kassar symbolizes stills of Lebanese lifestyles brought to life here by the actor-spectators entering, wandering through, contemplating and leaving the space.

Two telescopic structures, named Liwan and Obscura respectively, made of raw metal and burnt dark and rough wooden planks face one another not far from Kengo Kuma’s paper structure and Alessandro Medini’s giant red lips. Annabel Karim Kassar not only highlights savoir-faire but also French and Lebanese savoir-vivre. Attracted by the diffuse light from Saint-Gobain’s hand-blown glass, one is in for a rare experience – a piece of interior and a kind of cinema installation.

Why this idea of the Liwan ? It is a tradition passed down from Ottoman constructions.
The great Roman and prehistoric excavations – as well as the bombings – have left the city
of Beirut pockmarked, exposing its insides. Many people live precariously here on mounds
of soil with a bit of flooring.
I decided to carry with me a “chunk” with its thickness and layers of ground to try to show
the complexity of the city.