The apartment is in a high-rise building with a flat façade. The apartment’s space is stretched along the front of the windows and is cut by transverse load-bearing concrete walls into small cells. The transverse walls were set with an indifferent, slightly beaten pace, which created a harsh character for the interior. The architect fought with their dictate by highlighting the mechanical division into sections, revealing two concrete pylons, turning them into art objects and finding for each their own game and solution.

Concrete pylons have become the basis for concave-convex, and sometimes anti-canonical, structures with the use of glass and wood. These structures interconnect rooms and levels, and as such break the given sectional character. For example, the bedroom, raised on the podium, is connected to the living room through a three-dimensional glass bay-window. Because of that the public zone of the apartment turns into a kind of courtyard, which the private room overlooks from above. The massiveness of the pylon, which separates the cabinet from the hall, is underlined by a glass frame. That frame at the same time allows the owner of the office to keep the entrance zone of the apartment under the direct visual control.