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昱辰艺术收藏馆丨昱辰设计
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发布时间:2023-10-25
设计亮点
融合家居美学与咖啡客厅概念,呈现统一材质与多样化空间氛围。
从最终的呈现来看,2600平的空间,共四层,包含一楼的家居展示 & 咖啡融合空间、二楼和三楼的家具展示区以及四楼的办公区域。但从更为广义的角度,它远不只是一个空间而已,更多的包含了一群人的设计精神。10年滚烫经历,收藏100把椅子的愿景,这不是几个简单的数字,更是昱辰设计主理人-杨旭女士耗费多年建立的艺术收藏馆,我们更愿意用收藏馆代替展厅这个略带冰冷的名字。
From the final presentation, a space of 2600 square meters consists of four floors, including a home display and coffee fusion space on the first floor, a furniture display area on the second and third floors, and an office area on the fourth floor. But from a broader perspective, it is far from just a space, it more embodies the design spirit of a group of people. After 10 years of scalding experience, the vision of collecting 100 chairs is not just a few numbers, but also an art collection that Ms. Yang Xu, the design manager of Yuchen, has spent many years establishing. We are more willing to replace the slightly cold name of the exhibition hall with a collection hall.
首先,我们从功能分区、家居展示为核心去规划了合理的展览动线。空间本身,根据内部结构呈现了两种楼梯的解构美,大气的旋转楼层倾泻而下,连接了1楼与2楼,带着强烈的风格。3楼,再由几何交错的清水混凝土打造另一种风格的直梯通往4楼办公区域。整个空间,我们非常重视材质的运用,统一的材质能为空间带来了想象的延续和观感。因此,这个收藏馆随处可见的几种材质:致敬路易斯的清水混凝土、自带岁月痕迹的柚木以及黑色水磨石。再来,贯彻粗野主义的美学思想,设计过程中有意暴露了建筑的原始结构,露出顶面的梁体而不加修饰,去模糊设计前后的时间概念,突出空间本身的气质和秩序。
Firstly, we have planned a reasonable exhibition route with functional zoning and home display as the core. The space itself presents a deconstructive beauty of two types of stairs based on its internal structure, with atmospheric rotating floors pouring down, connecting the first and second floors, with a strong style. On the third floor, another style of vertical staircase is created by geometrically interlaced plain concrete, leading to the office area on the fourth floor. We attach great importance to the use of materials throughout the space, as a unified material can bring imaginative continuity and appearance to the space. Therefore, several materials can be seen everywhere in this collection: fair concrete that pays tribute to Louis, teak with its own traces of time, and black terrazzo. Furthermore, implementing the aesthetic ideology of coarseness, the design process intentionally exposes the original structure of the building, exposing the top beam without any decoration, blurring the concept of time before and after the design, and highlighting the temperament and order of the space itself.
一楼大面积留白,以梯田式的旋转楼梯进行了空间的起承转合。它是一个融合的场域,融合了家居美学和咖啡客厅的概念。家居空间的打造没有那么商业化,用洞石、壁炉作为背景,用天然的粗颗粒质感,传递了大自然的沉积气息,也让这种温暖的氛围在一楼散发开来。具有建筑感的旋转楼梯,梯步层层递进、延伸、堆叠,形成了错落的长岛台,一直延续到咖啡区,成为交互的中心,也形成了功能的自然分区。空间的色调由此开始过渡,加入了柚木、黑色水磨石,有了多样化的呈现。咖啡区运用了各式各样有韵味的老家具,去铺垫岁月的流逝之感。顶面的双弧造型与标志性的石材岛台形成了咖啡厅最醒目的符号。一楼展示了多把经典的椅子、中古的收藏。他们既作为家具展示,同时也为空间注入艺术的灵感,让我们仿佛回到那个设计争奇斗艳的年代。
A large area of space on the first floor is left blank, and a terraced rotating staircase is used to connect and merge the space. It is a fusion field that combines the concepts of home aesthetics and coffee living rooms. The creation of home space is not as commercialized, with cave stones and fireplaces as the background and natural coarse grain texture, conveying the sedimentary atmosphere of nature and allowing this warm atmosphere to emanate on the first floor. A rotating staircase with an architectural feel, with step-by-step progression, extension, and stacking, forming a staggered Long Island terrace that continues all the way to the coffee area, becoming the center of interaction and forming a natural division of functions. The color tones of the space began to transition, adding teak and black terrazzo, giving a diverse presentation. The coffee area uses various old furniture with a lingering charm to pave the way for the passage of time. The double arc shape on the top and the iconic stone island platform form the most eye-catching symbol of the coffee shop. The first floor showcases several classic chairs and medieval collections. They not only serve as furniture displays, but also inject artistic inspiration into the space, making us feel like we are back in that era of design competition.
二层空间从氛围、形态、材质、光影,再到简单的几何空间体块,无不让人沉浸其中,聚焦于各式中古家具、经典家具。温润的柚木去贯穿整个空间,增加整体的复古感。除了大面积上墙做木饰面,在细节之处也有所注意,比如内外窗框的包裹,再次强调了建筑的整体性。这层楼除了柚木元素的运用,也增加了有颗粒感的艺术涂料。艺术涂料建立了一个新颖的空间情绪,带着原始的质感,附着于体块之上。旋转楼梯的上下衔接、高低之间的微妙关系、光影的挥洒,营造了一个大气的空间氛围,完美体现了建筑学的解构主义,同时也成为了空间里最抓眼球的存在,与空间装置相辅相成,有着巨大的视觉吸引力。
The second floor space, from atmosphere, form, material, light and shadow, to simple geometric space blocks, is always immersive, focusing on various types of medieval and classic furniture. The warm teak wood runs through the entire space, adding a sense of retro overall. In addition to the large area of wooden veneer on the wall, attention is also paid to details, such as wrapping the inner and outer window frames, which once again emphasizes the overall nature of the building. In addition to the use of teak elements, this floor has also added a grainy artistic coating. Art coatings establish a novel spatial emotion, with a primitive texture attached to the body block. The connection between the top and bottom of the rotating staircase, the subtle relationship between height and height, and the splashing of light and shadow create an atmospheric spatial atmosphere, perfectly reflecting the deconstructionism of architecture. At the same time, it has become the most eye-catching presence in the space, complementing the spatial installation and having huge visual appeal.
三楼及以上,我们更愿意去感受建筑本身的呼吸。这是个相对开敞的空间,每一个墙体、柜体,都打破了原有的布局,重新建立了空间秩序。两组楼梯在此起承转合,这是旋转楼梯的尽头,也是清水混凝土直梯的起始。空间给予了更大的自由度,可以跟随着到访者的脚步自由游走。
On the third floor and above, we prefer to feel the breathing of the building itself. This is a relatively open space, with every wall and cabinet breaking the original layout and reestablishing spatial order. The two sets of stairs start and merge here, which is the end of the rotating staircase and the beginning of the plain concrete straight staircase. Space provides greater freedom to follow the footsteps of visitors and freely wander.
三楼通过材质的转换,形成了自然的空间划分。通过黑色地砖、柚木木地板形成了简单重复的空间韵律。三楼展示的,多数为我们原创家具品牌RECASA HOME的新品,将产品置身于简洁明了的空间中,也让到访者感受其中的工艺和材质,相信这里也不仅是作为一个家具展厅,也是展示工艺和相互交流的场所。
The third floor forms a natural spatial division through the transformation of materials. A simple and repetitive spatial rhythm is formed through black floor tiles and teak wood flooring. The products displayed on the third floor are mostly new products from our original furniture brand RECASA HOME. They are placed in a simple and clear space, allowing visitors to experience the craftsmanship and materials involved. I believe this is not only a furniture exhibition hall, but also a place to showcase craftsmanship and exchange ideas.
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