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《天堂电影院》厉槟源个展丨中国深圳丨WAU建筑事务所
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发布时间:2021-04-09
设计亮点
将建筑、艺术、设计融为一体,创造出富有情感张力的空间。
影像让空间得以多层解读,空间反过来让影像的情感得以延续发酵。也许,每个人心中都住着一个《天堂电影院》里的多多。
—— 吴林寿
Videos offer different possibilities for the interpretation of the space, whereas the space in turn allows the emotions expressed through the videos to be extended and fermented. Perhaps there is a Toto of the Cinema Paradiso in every one’s mind.
—— Linshou WU
以建筑师与艺术家的情感共鸣之处“回不去的故乡”作为出发点,略带乡愁的坡屋顶划分出“二元对立”的不同氛围:内与外,日常与礼仪。这种并置对立,有点拉康精神分析“象征界(Symbolic order)”与“真实界(the Reality)”之间转译的意味,犹如教堂与天堂的并置关系。
Based on the idea of ‘The World You Can Never Go Back’ — the resonance of the architect and the artist, the exhibition creates an environment of binary opposition with a nostalgic slope roof: the internal and external, as well as the routines and etiquettes. The juxtaposition kind of embodies “Symbolic Order” and “the Re-Reality” as described by Jacques Lacan in his psychoanalysis studies, just as the relationship between the church and the paradise.
展厅概览,overall of the exhibition hall © 马明华 Minghua Ma
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《天堂电影院》厉槟源个展丨中国深圳丨WAU建筑事务所-7
屋顶之下,“材料异化”这一动作让空间变得多义。参观者随着影像,例如《钟声》《自由耕种》《海鸟》等呈现而产生情绪变化,抽象空间得以不断隐喻及换喻:聚落、教堂、庭院、堂屋……, 从而承载起个人情感的符号化及象征化。
Under the roof is a space decorated with shoji paper. The space is endowed with diversified meanings through “dematerialization”. Visitors will experience emotional changes with videos such as “The Bell”, “Free Farming”, “Seabirds”, etc. The striking use of metaphor and metonymy in such abstract space as settlements, church, yard and central room carries the symbolization of mixed personal emotions.
屋顶之下,overall under the roof © 坪山美术馆 PAM
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《天堂电影院》厉槟源个展丨中国深圳丨WAU建筑事务所-11
屋顶之外,我们希望能呈现一个浑沌的空间,在这里空间尺度感消失,时间停滞。影像《最后一封信》在消失于视平线的屋顶上放映,也许对厉槟源而言是在与天国的父亲对话;这异化空间里,也许对观众而言,“此中有真意,欲辩已忘言”,借助这空间可以窥探到内心深处的真实界。
Beyond the roof is a desirable space of chaos, where visitors will have little sense of dimensions and lose track of time. “The last Letter” is projected over the roof diminishing in the visual horizon, which may be a conversation between Li Binyuan and his late father who has gone to paradise; The alienated space implies the real intention that might go beyond words for visitors,by virtue of the space, will glimpse into the Reality in the privacy of their thoughts.
▼屋顶之外,Beyond the roof © 马明华 Minghua Ma
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《天堂电影院》厉槟源个展丨中国深圳丨WAU建筑事务所-15
▼影像《最后一封信》,“The last Letter” is projected over the roof © 马明华 Minghua Ma
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