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Lazy Eye 产品工作室
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发布时间:2020-12-24
设计亮点
保留历史元素,融合现代设计,打造独特办公空间。
Wick Architecture & Design和LAND设计事务所合作,完成了Lazy Eye产品工作室一期工程。项目位于洛杉矶Frogtown地区的一栋面积约为460平米的单层混凝土砌块建筑中,分两期建造。一期工程的主要任务是将原仓库的前部改造成意见创意办公室,面积约为123平米。新设计的空间包括一片公共办公区,一间会议室,两间办公室,两间剪接房以及一个小厨房。

Wick Architecture & Design, in partnership with LAND Design Studio, is proud to unveil Phase 1 of the Lazy Eye production studio project in the Frogtown district of Los Angeles. Built within the shell of an existing 4,957 sq. ft., single-story CMU (Concrete Masonry Unit) block building, Phase 1 of the two-phase project focused on a creative office build-out of the front portion of the former warehouse. Completion of Phase 1 delivers 1,325 sq. ft. of newly-designed space comprised of a common work area, a conference room, two offices, two editing bays, and a kitchenette.

▼空间概览,overall view of the space ©Nicole LaMotte

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“Frogtown地区中多是独栋住宅和工业建筑。近年来的发展,包括洛杉矶河绿带自行车道复兴,为这片区域创造了新的关注点。”Wick Architecture & Design的主创建筑师David Wick说道,“一批艺术家首先涌入了这里,产品设计公司紧随其后。”

“Frogtown consists mainly of single-family homes and industrial buildings, but recent developments, including rejuvenation of the Los Angeles River Greenway Trail bike path, has created new interest in the neighborhood,” says David Wick, principal and lead designer of Wick Architecture & Design. “It started with an influx of artists, and now production companies have followed.”

Lazy Eye产品工作室的粉色立面采用喷砂处理,室内原有的围墙和隔断全部被拆除,成为了一张空白的画布。设计将原本的混凝土地面打磨光整,并以哑光密封材料修饰;1932年建造的木制桁架和托梁表面喷砂,依旧暴露在人们眼前。原混凝土砌块墙面的内部剖面也被保留,不均匀的分红色调喷砂传达出建筑的历史。

Within the sandblasted, pink-primed exterior of the Lazy Eye production studio, the designers demolished all existing interior walls and partitions in order to create a blank canvas. Existing concrete floors were then ground, polished, and finished with a matte sealant, and original wood trusses and joists of the building, built in 1932, were sandblasted and left exposed. Sections of the original CMU block wall were also maintained internally, with sandblasting exposing non-uniform, pinkish-red tones that express the building’s history.

▼建筑外观,粉色墙面,external view of the building with pink toned surface ©Nicole LaMotte
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“业主想要一个永恒的设计,尊重建筑原有的部分元素。”LAND设计事务所主创建筑师Andrew Lindley解释道,“我们的选材反映了这一过程,翻新的复古吊灯、灰泥、木材和钢等材料作为原有混凝土砌块和木结构的补充,使空间更为完整。”

“The client wanted a timeless design that respected some of the original elements of the building,” explains Andrew Lindley, principal and lead designer of LAND Design Studio. “Our use of materials reflects that process, with vintage refurbished pendant lights, stucco, wood, and steel that complement the existing CMU blocks and original wood structure.”

设计在焕发历史魅力的结构框架内设置了一条水平基准线,标识出空间内新建墙面的材料轮廓。室内较低的部分大量使用白橡木板,创造出一种当代感;基准线上方墙面涂以灰泥,略凸出于木板之上。镶嵌在空间后部灰泥墙面中的黑色钢条亦与基准线同高。

The design tandem established a horizontal datum line within the framework of the structure’s rejuvenated historic charm, marking a delineation of materials applied to the space’s newly constructed walls. The abundant use of book-matched white oak paneling adds a contemporary feel to the lower interior, with stucco applied above the line and jutting slightly outward as if resting on the wood. Along the new stucco wall at the rear of the building, a mounted black steel inset also respects the datum line.

▼水平线条标识出新建墙面,horizontal line marking the newly constructed walls ©Nicole LaMotte
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