很多人说生活没那么简单，可是生活本就是一餐一饭。——《海街日记》 多くの人が人生はそれほど単純ではないと言うが、人生は食事、食事であり。——《Our Little Sister》

▼咖啡厅室内一览，overview of the cafe ©形在建筑空间摄影 贺川

设计之初，面对一个沉淀5年，辨识度极高且自带“预设值”的品牌时，需要将無早的独特调性与创新做平衡。“与其做加法，不如溯源初心，让它重归‘简单’—— Life is simple。”

空间大量运用白色与木质元素，乍看同常规日式无异，可墙面却“暴露”了于细节之处的巧思。有别于崭新墙面自带的疏离感，“有意为之”的斑驳，于无声中引导人与其产生触碰与交互，瞬间拉近空间与人的距离。

At the beginning of the design, in the face of a brand that has been precipitated for 5 years and has a high degree of recognition and comes with a “preset value”, it is necessary to balance the unique uniqueness and innovation without any early. “Instead of doing the addition, it is better to trace the original, let it return to ‘simple’ – Life is simple.”

The space uses a lot of white and wood elements, which is the same as the conventional Japanese style, but the wall is “exposed” to the ingenuity of the details. Different from the alienation feeling of the new wall, the “intentional” mottled, in silent, guides people to touch and interact with them, and instantly closes the distance between space and people.

▼咖啡厅室内，设有“有意为之”的斑驳墙面，interior view of the cafe with the “intentional” mottled walls ©形在建筑空间摄影 贺川

▼斑驳的墙面拉近空间与人的距离，the mottled walls close the distance between space and people ©形在建筑空间摄影 贺川

极具洞穴感的破坏性墙面将空间的层次感打开。由浅入深的色泽变化，由表及里的多重氛围塑造，随着木质地板向深色地面的过度亦随之递进。

▼空间爆炸轴测图，墙面将空间的层次感打开，the exploded axon, walls open the layer of space ©氣象建築