以“美丽凝聚人类”为主题，Dodi Moss和Edoardo Tresoldi一同设计了2020年迪拜世博会意大利馆。建筑借助其自身通透性、材料和植物等不同层面，为人们呈现了一条情感之路。Dodi Moss负责领导由艺术家Edoardo Tresoldi, SCA, Progettando, Emanuele Donadel, Studio Tecnico Gaetano Farella, Leo Fr ancesco, Fr ancesco Marzulli组成的设计团队，在去年秋天由Invitalia举办的2020年迪拜世博会意大利馆竞赛中名列第三，仅次于carlorattiassociati和Gianluca Peluffo & Partners。Dodi Moss作为一家总部位于Genoa的年轻设计团队，由19位具有特定专业知识的合作成员组成，旨在以创新性的技能应对复杂的设计挑战。

The project by Dodi Moss and Edoardo Tresoldi for the Italian Pavilion of Expo 2020 Dubai responds to the theme “Beauty unites people” with an architecture that features an emotional path through a layering of transparent, material and vegetable elements. Dodi Moss is leading a group, composed with the artist Edoardo Tresoldi, SCA, Progettando, Emanuele Donadel, Studio Tecnico Gaetano Farella, Leo Fr ancesco, Fr ancesco Marzulli, third place in the competition organized by Invitalia for the design of the Italian Pavilion at Expo 2020 Dubai. This is how Dodi Moss’ design proposal for the Italian Pavilion at Expo 2020 Dubai manifests itself, third place, after those of carlorattiassociati and Gianluca Peluffo & Partners, in the competition launched last autumn. Dodi Moss is a young design company based in Genoa and composed of 19 partners with specific expertise that aims to respond with innovative skills to complex design challenges.

▼意大利馆外观，exterior view of Italian Pavilion

Dodi Moss领导设计团队与Edoardo Tresoldi合作，SCA作为项目记录建筑师，团队提出了一个大体量的设计方案，内部不同的环境以虚空间的形式呼应了意大利的宫殿与庭院。“平行六面体容器”之中的交叉和消减设计手法形成了建筑的多重切割和体量消融，营造了一场游客的情感、触觉和视觉之旅。设计师说：“透明性、材料和植被这些不同层级的元素描绘出人们某种被破坏的记忆，这种记忆与过去不断融合，成为我们如今设计的深层根源。在这种情况下，展馆不仅表达了意大利的视角，还展现出意大利作为一个根植于千年文化历史实体的身份意识。”

The team of designers led by Dodi Moss, in collaboration with artist Edoardo Tresoldi and with SCA as architect of record, proposed a large volume from which different environments that stylistically evoke the palaces and courtyards of Italian architecture are subtracted in negative. The intersections and subtractions with the “parallelepiped container” create repeated cuts and volumetric decompositions and accompany visitors on an emotional, tactile and visual journey. “The stratification between transparent, material and vegetable elements -the designers write-codifies some sort of ruin of memory that refers to the continuous synthesis of the past as the deep root of our work today. In this sense, the Pavilion proposes not only the Italian point of view, but the awareness of the Italian identity as a stratified entity that has its roots in a millenary cultural history.”

▼意大利宫殿和庭院为参考的设计概念，design concept with a reference to Italian palaces and courtyards

▼材料与结构图解，material and construction diagram

建筑由两个互补特征元素构成：一个作为纯粹结构体系的透明体量，代表着一种无形的建筑分层；一个坚固材料构成的底座，作为一个不透明的连续性元素容纳展馆的所有功能。

An architectural body, shifting from the given lot, is composed of two complementary identities: a transparent volume, a pure structural element, in which references to architectural archetypes stratify impalpably, and a solid, material pedestal, in which all the functions of the pavilion, which constitutes its opaque imprint, are accommodated.

▼建筑由两个互补的特征元素构成：一个透明体量和一个实体底座，the architecture is composed of two complementary identities: a transparent volume and a solid, material pedestal