为期三天的第六届EDIT Napoli–独立原创设计展于10月11日至13日在那不勒斯档案馆举行。作为EDIT CULT项目的一部分，Alcantara携手日本建筑大师隈研吾，为那不勒斯圣卡洛剧院的《西蒙·波卡涅拉》设计特别舞台，为大众带来了一场视听盛宴。

Naples – 11th October, 2024 For the sixth edition of EDIT Napoli – the independent and authorial design fair held at Archivio di Stato in Naples from 11th to 13th October – among the exhibitions of the EDIT CULT program is the special staging of the Simon Boccanegra for the Teatro di San Carlo, a collaboration between Alcantara and Kengo Kuma.

▼那不勒斯圣卡洛剧院，the Teatro di San Carlo ©︎ Luciano Romano

建筑大师隈研吾通过对威尔第的歌剧进行全面研究，深入挖掘了歌剧中的叙事与视觉元素。他将这部以利剑与匕首为主题、以热那亚为背景的故事，与那不勒斯的歌剧院进行了巧妙呼应，着重凸显了这两个海洋城市之间千丝万缕的联系：它们都是多元文化的融合交汇点。同时，借助巧妙的类比手法，隈研吾这位杰出日本建筑师的个人历程与那不勒斯的深厚渊源被生动而形象地展现出来：这一联系巧妙地构建于自然界中泥土与水的火元素交融之上，以及那不勒斯地区因火山活动而独具特色的地貌之中。

▼隈研吾手稿，Kengo Kuma’s manuscript ©︎ Kengo Kuma

Giuseppe Verdi’s opera has been studied in all its argumentative and visual parts by the great architect Kengo Kuma. The cloak and dagger story, set in Genoa, is echoed in the temple of Opera in Naples, underlining the link between the two maritime cities, both of which have been cultural crossroads.  At the same time, the analogy with the Japanese architect’s personal history finds a link with Naples through a landscape deeply marked by the presence of volcanoes, through the connection with an earthy and liquid nature under the symbol of fire.

▼剧院内部概览，overview of the interior of the opera ©︎ Eller Studio

▼舞台，stage ©︎ Eller Studio