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香港数码港戏院丨中国香港丨Oft Interiors
浏览1116
发布时间:2021-07-08
设计亮点
结合电影元素,以微观世界为主题,利用像素解构重塑空间,色彩搭配充满活力。
OFT Design X MCL Cyberport Theatre | Microcosm under the Pixel
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因一句台词喜欢一部电影,因一个镜头迷恋一座城市。 即便没去过香港,但并不影响我们对油尖旺的熟悉,而香港数码港同样也是影迷朝圣之地。《寒战》、《无间道3》、《新警察故事》、《单身男女》、《伤城》、《宝贝计划》等电影中都能找到数码港的身影。 You can be fond of a movie because of a line, or be fascinated by a city because of a shot. Even if we have never been to Hong Kong, it does not affect our familiarity with Yau Tsim Mong, and Hong Kong Cyberport is also a place of pilgrimage for film fans. You can find the trace of Cyberport in many movies like Cold War, Infernal Affairs 3, New Police Story, Don’t Go Breaking My Heart, Confession of Pain, ROB-B-HOOD and so on. ​ 《寒战》中精彩绝伦的“夺权”戏在数码港三座里面取景拍摄。有趣的是,《寒战》中郭富城的办公室正是《无间道3》里黎明的办公室。 电影热映同年,香港设计事务所Oft Interiors受邀为MCL数码港戏院设计做全新视觉和空间功能设计, OFT设计擅长结合商业思维与视觉文化,致力于为商业空间创造“场景式消费体验”.在这个设计中,OFT不仅为Z世代消费人群带来全新像素世界,还解决了旧戏院动线和商场引流能力不足的问题,实现影院和商场双向引流。 The fantastic scene of " seize power" in Cold War was filmed inside Cyberport 3. Interestingly, Aaron Kwoks office in Cold War is the same office of Leon Lai in Infernal Affairs 3. In the same year of the movies release, Hong Kong design firm Oft Interiors was invited to make a new visual and spatial function design for the MCL Cyberport theater. OFT design specializes in combining business thinking and visual culture, and is committed to creating a "scenario-based consumer experience" for commercial spaces. In this design, OFT not only brings a new pixel world to the consumers of Generation Z, but also solves the problem of insufficient capacity of customers’ flow of the old cinema and the mall, achieving two-way flow between the cinema and the mall.
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“我们经常在大局上投入太多精力,却忘记了像素。”——西尔维亚·卡特赖特 "We often devote too much energy into the big picture but forgot the pixels." - Silvia Cartwright
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设计以「放大镜中的微观世界」为主题,OFT通过对三维城市进行二维想象与思考,将大小不一、深浅不同的像素进行解构,同时以一种全新尺度重塑屏幕里的空间。 The design is based on the theme of "microcosm through a magnifying glass". OFT deconstructs pixels of different sizes and shades by imagining and thinking about the three-dimensional city in two-dimensional way, while reshaping the space inside the screen in a new scale.
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