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浮盒丨中国上海丨道辰建筑|同济大学建筑系
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发布时间:2021-07-23
设计亮点
将展品吊挂,底部悬空释放空间,形成上下反转,营造轻盈悬浮的展览方式。
本次毕设展首次走出校园,选在艺仓美术馆作为同期Zaha展的外围展。展览以“浮想城市”为主题,选取9个课题直接面向公众,尝试与真实的城市环境建立更紧密的联系。
黄浦江船只穿梭不息,江岸市民漫步休闲,骑行步道绿树成荫,成为城市最独特的风景之一。艺仓美术馆位于黄浦江畔,基于原有工业遗产的吊挂结构、错动体量构成其独特的气质。
The graduation project exhibition went out of the campus for the first time, and was held in the area of MAM as a peripheral exhibition of Zaha exhibition. With the theme of ” Floating imagination city “, the exhibition hold 9 projects open to the public, trying to establish a closer connection with the real urban environment.
The boats on the Huangpu River shuttle endlessly, the citizens on the riverside stroll for leisure, and the cycling trails are lined with trees, making it one of the most unique scenery in the city. MAM is located along the bank of Huangpu River. The hanging structure and moving volume based on the original industrial heritage constitute its unique image.
▼B厅外观,external view of Hall B ©山间影像(吴清山工作室)
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浮盒丨中国上海丨道辰建筑|同济大学建筑系-5
两个展厅为美术馆配套用房,透过落地玻璃均可感受到周边优越的景观资源。A厅为6.5*8.4*4.4m的混凝土结构,底层上半段为实墙,下半段为大玻璃;B厅是个5*12*2.5m全钢结构吊挂的玻璃盒子。
Two galleries are service facility of MAM, and the superior landscape resources around can be experienced through the floor-to-ceiling glasses. Hall A is a 6.5*8.4*4.4m concrete structure, the upper half of the ground floor is a solid wall, and the lower half is large glasses; Hall B is a 5*12*2.5m all-steel structure hanging glass box.
▼A厅主入口,main entrance of Hall A ©山间影像(吴清山工作室)
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浮盒丨中国上海丨道辰建筑|同济大学建筑系-9
▼A厅次入口,sub entrance of Hall A ©山间影像(吴清山工作室
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浮盒丨中国上海丨道辰建筑|同济大学建筑系-11
展陈如何与水岸环境互动、与工业遗产相融? 如何在专业与大众之间取得平衡,提升观众的体验和互动? 参展课题模型大小不一、材质各异,如何将其整合起来又保持各自的差异性? 馆方要求展后恢复原有状态,如何对建筑较小地干预?
How does the exhibition interact with the waterfront environment and blend with the industrial heritage? How to achieve a balance between professionalism and the general public, and enhance the audience’s experience and interaction? The exhibited topic models are of different sizes and materials. How to integrate them and maintain their differences? The museum requires the restoration of the original state after the exhibition, how to interfere with the building minimally?
展厅原状,original view of the pavilion ©道辰建筑|同济大学建筑系
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浮盒丨中国上海丨道辰建筑|同济大学建筑系-15
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