尚村，位于安徽省宣城市绩溪县家朋乡，是国家级传统村落，全国乡村旅游重点村，也是徽派建筑爱好者为之神往的摄影基地。然而，虽有峻山美景，无奈山高路远，村庄日益衰弱，空心化严重，大量精美的传统建筑得不到及时的修缮，损坏严重。以艺术介入乡村，创意植入乡村的系列活动在此开展，以激发乡村活力，为岌岌可危的老房子注入新的生命和活力，尝试探索一种偏远传统村落复兴的重要途径。为此，设计团队开展了大量的创意植入工作，在几乎没有援助资金的前提下，通过村民共建、共同缔造、多方参与的形式开展了大量的社会实践和艺术活动。

Shang village, located in Jixi Town of Anhui province, is both a National Traditional Village and a Historical and Cultural Village, where a lot of photography fans have been attracted by the landscape. The mountains are beautiful; however, the roads are hard and steep. Without any resources, the village is poor and getting hollow, and a large number of exquisite traditional buildings are not repaired in time, resulting in serious damage.

A series of art activities were involved in the village to inject new life and vitality into the precarious old houses, and try to explore an important way to revive the remote traditional villages. Therefore, the design team has carried out a lot of creative implantations, without any funds, but by the villagers’ participation, a large number of social practice and artistic activities have been carried out.

▼aerial view ©向刚

为了给艺术家一定的活动场所，吸引更多有创意的艺术家、设计师介入尚村，设计团队决定在残损的破房子上建设两座小房子——韶光艺廊（Model 1）和晒谷亭（Model 2）。前者用于展示摄影师或艺术家的作品，兼做开会交流之所；后者用于收藏作品和记录村中史事。

每栋房子的造价控制在 10 万元以内，不能使用重大机械，不能依赖现代设备，要适合村民和工人手工建造。材料要易于清理维护，运维成本要降至最低。同时，要兼顾传统村落形态，不能破坏乡村风貌。

In order to provide artists a working place and attract more artists and designers to participate in Shang Village, two models were decided to build in the damaged houses: Time Art Gallery (model 1) and Grain-basking Pavilion (model 2). The former is used to exhibit the works of photographers or artists, and also as a place for meetings and communications; The latter is used to collect works and record historical events in the village. The cost of each house shall be controlled within $15000, and major machinery and modern equipment can not be used. The buildings should be suitable for manual construction by villagers and the materials must be easy to clean and maintain, and the operation cost shall be minimized, as well as, the new parts will conform to the styles of the traditional village and not destroy the rural features.

▼韶光艺廊鸟瞰，aerial view of the Time Art Gallery©向刚

▼晒谷亭鸟瞰，aerial view of the Grain-basking Pavilion©郭海鞍

韶光，语出《与慧琰法师书》，指代美好的拾光。韶光艺廊指能够记录美好拾光的艺术走廊，选址位于尚村竹棚、U 形走廊和老宅油坊之间，可谓在众多老房子之间，仅有一个短边朝外。

这里建设新屋，最大的难度来自于周边的不稳定性，如何有效的抵抗两边老墙的水平推力，同时在夹缝中形成良好的刚度，是建筑师必须要解决的问题。

因此，我们选择了一个安全核结构体系，该体系在地面上几乎不生根，完全通过 1 米间隔的仅仅 50mm 的方形钢形成一个密柱密梁的整体，形态上支撑起传统建筑的屋面。路径与楼梯处适当的减少支撑，形成 1 米宽，2 米高的通行空间。整个钢构框架整体性良好，如同一个安全舱，植入在老旧民居当中。

▼艺廊入口外观，external view of the gallery at the entrance©郭海鞍