国立酒业办公会客厅位于杭州公元大厦。作为一个兼具办公、会客的场所，打造主客明晰的动线，是这个项目主要的功能需求；而作为一个白酒公司的办公场所，在空间中融入酒文化是这个项目的精神需求。

As a place for both office and meeting, creating possible routes for the host and guest is the functional requirement of a project; and as the main place of this liquor company, the spirit of gathering wine culture in the space is the spiritual requirement of this project.

▼项目概览，general view © 奥观建筑视觉

回溯中国的历史，不难发现“酒”这个字，在甲骨文出现的时候就已存在，慢慢从纯粹的象形字、到“酉”再到“酒”，而酉组成的字往往都与酒有关，与酿造有关。

整个空间的平面布局就从“酉”字而来。正如人们拥有空间却无法 100%填满空间，而液体却可以占据整个空间。无形的酒，转化为曲线、转化为面，将整个空间划分开来，将这个“酉”划分开来。

Looking back in the history of China, it is not difficult to find that the word “wine” has existed when the oracle bone inscriptions appeared, related to brewing. The layout of the entire space comes from the word “you”. Just as people have space but cannot fill it 100%, liquid can occupy the entire space. The intangible wine is transformed into a curve and a surface, dividing the entire space and dividing this “unitary”.

▼酒字的变化 theevolutionof the character “酒” (wine)© 泛域设计

在有限的空间中，通过一层层的空间叠加与循环，实现了室内节奏、韵律的统一。功能性的划分也在此时明晰，曲线围合出的开放式空间承担了“会客厅”的功能，私密的主人空间则被归置在空间的两端承担了“办公”的功能。曲线穿透空间界限，使各个区域既相对独立，又相互连接，虚实之间，形成丰富又连续的空间秩序。

In a limited space, the unity of indoor rhythm and rhythm is realized through layered space superposition and circulation. The functional division is also clear at this time. The open space enclosed by the curve assumes the function of the “meeting room”, and the private owner’s space is placed at both ends of the space to assume the function of “office”. The curve penetrates the space boundary, so that each area is relatively independent and connected to each other, forming a rich and continuous spatial order between the virtual and the real.

▼入口空间，entrance area© 奥观建筑视觉

▼会客/休息区，living room© 奥观建筑视觉