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印澜食集·二舍丨中国青岛丨青岛舟不离空间设计
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发布时间:2021-09-14
设计亮点
本案例以壳体洞穴设计模糊了墙面与顶面的概念,实现了室内外景观的完美融合,为居住者提供了宁静诗意的栖居空间。
“生活是琐碎的,永远都是。” 项目经历了场地变更等诸多问题,从幽静无邻、遗世独立的悬崖海岬景观转换到鸡犬相闻的村中海景,环境气势一变,原方案的细枝末节也就忍痛舍弃,过程漫长,长到到中间穿插了甲方的另一个小院改造。好在甲方团队与设计方默契演绎了一群糙汉的坚守,“出于对共同目标的美好期待,排除万难,共赴山海

Life is trivial and always will be. The project has undergone many problems such as site changes. It has transformed from the secluded and independent cliffs and promontory landscapes to the village seascape where the chickens and dogs hear each other. The environment has changed, and the details of the original plan have been reluctantly abandoned. The process is long. Another small courtyard renovation was interspersed in the middle. Fortunately, the team and the designer have tacitly interpreted the persistence. “Out of the good expectation of the common goal, we will overcome all difficulties and go to the mountains and seas together”

▼项目外观,exterior view ©花颀
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经由对民宿项目的参与,我们也介入了乡村改造这一时代命题,相比于声势浩大的宏观工程,我们更着迷于针对单一个体的考量,前者以鸟瞰视角描绘蓝图,后者需要沉浸空间之内,通过细节叙事。

Through our participation in the homestay project, we have also been involved in the proposition of the era of rural reconstruction. Compared with the grand macro project, we are more fascinated by the consideration of a single individual. Inside, narrate through details.

▼建筑立面,the facade ©花颀
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房子原是一处民居,前后两栋错落排布。设计功能前面两层为沿街餐饮,后面三层为民宿空间。空间本质是壳体,以恰当的方式包容情绪。入口处有一棵栀子花,香气可以飘到三楼客房,久久不散。

The house was originally a residential house, the front and the back are staggered. The front two floors are along the street, and the back three floors are for the bed and breakfast space. The essence of space is a shell, which contains emotions in an appropriate way. There is a gardenia flower at the entrance, and the fragrance can float to the guest room on the third floor for a long time.

入口,the entrance ©花颀
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以情绪引导设计一直是我们的设计基点,面对项目周围的山海景观,考虑到情绪对于空间的附着状态,脑海里的直觉闪现便是原始人类在洞穴里向外张望的状态。退回到人之初对于空间的需求,想要的感受是无非是自在安然,可避风雨,可观世界。于是项目的设计观便成了山海观,以不打搅的材质和空间,赋予使用者一个安定的状态。

Guiding design with emotions has always been the basis of our design. Facing the mountain and sea landscape around the project, considering the attachment state of emotion to the space, the intuition flash in my mind is the state of primitive humans looking out in the cave. Returning to the need for space in the beginning, what I want to feel is nothing more than being at ease, sheltering from wind and rain, and looking at the world. Therefore, the design concept of the project has become a view of mountains and seas, with undisturbed materials and space, giving users a stable state.

▼室内空间,the interior space ©花颀

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