在这个重要的文化场馆项目的馆外展场景观设计中，以文化与博物馆的融合为出发点、在景观人文、外展内展互动、沿海慢行体验及绿色建筑景观措施上进行了一些全新的探索。

In the landscape design of this important cultural venue project, the integration of culture and museum is taken as the starting point, and some new explorations are made in landscape humanities, interaction between external and internal exhibitions, experience of slow walking along the coast and landscape measures of green buildings.

国家海洋博物馆作为一个国家级博物馆，在项目选址及定位上都是高标准的，作为落户天津的唯一国家级博物馆与整体城市环境、渤海环境相互交融，充分体现出最初国家在选择项目落地时“近海临都”的初衷。博物馆位于中新生态城渤海南湾，建筑的一部分延伸悬跳突入海面，架构了陆路与水路空间的交织。而且“陆中有水“三片浅水池（东面 2145 平米、中部 2643 平米、西部 1515 平米、水深 20 公分）；“水中有路“两条栈道（长度分别为 227 米 150 米、宽度为 8 米）形成海陆交织的总体景观格局。

As a national museum, the National Maritime Museum is of high standards in terms of project location and positioning. As the only national museum in Tianjin, it integrates with the overall urban environment and the Bohai Sea environment, thus fully reflecting the original intention of the country to be “near the sea and capital” when choosing the project. The museum is located in the South Bay of Bohai Sea, a part of the building extends and jumps out into the ocean, which has architected the interweaving of land and water spaces. Menwhile “water in the land” with three shallow pools (east 2145 square meters, central 2643 square meters, west 1515 square meters, water depth of 20 centimeters); “There are roads in the water” with two walkways (lengths of 227 meters and 150 meters respectively, width of 8 meters), all of which have formed the overall landscape pattern of interwoven land and sea.