架构师提供的文本描述。在Uritorco山脚下，这座石头和混凝土的房子作为一种装置升起，通过它可以观察山中不断变化的景象。

Text description provided by the architects. At the foot of Uritorco Hill, this stone and concrete house rises as a device through which to contemplate the changing spectacle of the mountain.

环境

The environment

这个项目的主题也许是回归，我的父母回到他们童年的村庄，一个非循环的回归记忆和鬼魂，虽然他们有时是不可避免的，但开放寻找的起源和身份作为一个平台来发现未来和漂泊，以满足其他观点，失去的道路没有旅行。

The theme of the project is perhaps return, the return of my parents to the village of their childhood, a non-circular return to memories and ghosts, although they are sometimes inevitable, but open to the search of the origin and identity as a platform to found the future and drift, to meet other views, of lost roads not travelled.

Deleuze和Guattari州：“有时候，老年赋予的不是永恒的青春，而是一种主权自由，是一种纯粹的必要，在这种自由中，人在生与死之间享受着恩典，机器的所有部分都适合于向跨越时代的未来传递信息。”

Deleuze and Guattari state: "sometimes it happens that old age grants, not an eternal youth but a sovereign freedom, a pure necessity where one enjoys a moment of grace between life and death, and in which all parts of the machine fit to send a message to the future that spans the ages."

© Sosa Pinilla

(Sosa Pinilla)

这个项目经过多次绘制和模糊，直到达到一个简单的想法：物质的严重性被挖掘，以促进这一事件的空间，准确的场景的恩典时刻。功能分配伴随着这一概念，为家庭活动的发展留下了必要的限制，其余的空间合并为一体。因此，这座房子变成了一堵穿孔的墙，用来观察Uritorco和它周围的景观，这堵墙是用来沉思的，在山顶上是人造自然的失败，就像所有的技巧一样，它不会隐藏它对另一种性质的笨拙和不完美的姿态：无限的运动和循环的仪式。

The project was drawn and blurred many times until reaching a simple idea: the gravity of  matter is excavated to promote a space for this event, the precise scenario for the moment of grace. The functional distribution accompanies this concept, leaving the necessary limits for the development of domestic activities, the rest of the spaces merge into one. Thus, the house becomes a perforated wall to look at the Uritorco and its surrounding landscape, a wall that serves for contemplation, which arises as a failure of artificial nature on the crest of a hill, and like all artifice does not hide its clumsy and imperfect gesture against another nature: that of infinite movements and cyclic rituals.

© Sosa Pinilla

(Sosa Pinilla)

拼墙

Spelling the walls

所有的墙壁在某种程度上都是不完整的文本，并不断地被天气的随机标记和符号重写，而光的旋转则会对这些标记和符号进行解码。

All walls are somehow incomplete texts and are continuously rewritten by the random marks and signs that the weather prints on them, and which the rotation of light decodes.