© Lori Kiessling

洛丽·基斯林

架构师提供的文本描述。模糊的公共和私人领域，两个棚与一个城市巷道。有了一个灵活的计划和一个不断发展的社区，该项目通过建筑干预来预测未来。重新设想在东温哥华的两个附属建筑，两个棚重新考虑正式惯例的功利性建筑类型。作为这一区别的补充，还进行了成分和材料选择，以便今后进行空间和方案方面的变化。

Text description provided by the architects. Blurring the public and private realms, TWO SHEDS engages an urban laneway. With a flexible program and a growing neighbourhood, the project anticipates the future through architectural interventions. Re-imagining two ancillary buildings in east Vancouver, TWO SHEDS reconsiders formal conventions for the utilitarian building type. This distinction is complemented by a compositional and material selection that allows for future spatial and programmatic changes.

该项目的背景是一个奇怪的分类轻工业和住宅用地。该网站的规模是一致的，许多模块突出在整个城市的东部。它的长度被一边的酒馆和另一边的制冰厂绑在一起，尽头是一条公共街道和一条巷道。

The context for the project is an odd assortment of light industrial and residential lots. The dimensions of the site are consistent with a lot module prominent throughout the eastern part of the city.  It is bound along its length by a flophouse on one side, an ice making factory on the other, and is capped at its ends by a public street and a laneway.

© Lori Kiessling

洛丽·基斯林

在现场的主要建筑(艺术家的工作室和家)，是一个离散的两层混凝土砌块结构，位于邻近的公共步行街，并与大多数低层工业建筑的街道。业主需要一个棚屋结构，一个非胡说八道的原始空间，最初用于木柴和车辆储存。这两个存储程序本来可以结合在一起，但是却促使两个互补的棚子在一个非正式的庭院之间有一个中间的空间，紧靠着巷道。

The main building on the site (an artist’s studio and home), is a discrete two-storey concrete block structure positioned adjacent to the public walk and blended in with the majority of low-rise industrial buildings lining the street. The owner required a shed structure, a no-nonsense raw space to be initially used for firewood and vehicular storage. These two storage programs could have been combined, but instead prompted two complementary sheds with a mediating space between - an informal courtyard - positioned firmly against the laneway.

Exploded Axo

爆炸阿克索