© Maxime Desbiens

3.Maxime Desbiens

背景和设置拉米森高蒂尔位于劳伦蒂斯，在魁北克省附近的蒙特-特雷姆布兰特镇。它位于丘陵地带，周围环绕着这片山区特有的茂密的森林。这块地位于一座布满云杉和桦树的岩石山上。东边是主干道，西边是业主的马场。客户们想要一本书，主要面向下面的马匹竞技场。同时，他们想利用地势形成的亲密关系。在道路和房屋之间的森林护堤创造了一个视觉过滤器，允许一个顺序前进的建筑物。从下面的主干道上看不出体积，但逐渐显现出来，最终形成了由不透明的砖块组成的壮丽的外墙，其中有一个离中心的拱门。这是房子的正门。

Context and setting La Maison Gauthier is located in the Laurentians, in Quebec, near the town of Mont-Tremblant. It is set in a hilly terrain and is surrounded by a dense expanse of forest characteristic of this mountainous region. The lot is located on a rocky hill covered with spruce and birch. It is bounded to the east by the main road and to the west by the owners’ horse farm. The clients wanted a volume with views largely oriented towards the horses’ riding arena below. At the same time, they wanted to take advantage of the intimacy created by the topography of the lot. The forested berm between the road and house creates a visual filter, allowing a sequential progression towards the building. The volume is not visible from the main road below,but gradually emerges, culminating in the imposing facade of opaque brick with a single off-centered arch. This is the main entrance to the house.

© Juliette Busch

朱丽叶·布希

组织和感性叙事客户对美国极简主义画家的显著兴趣，加上她的陶瓷工作室的存在，影响了平面图的组成和内部空间设计中简单几何形状的相互联系。欧洲马厩和养马中心是最初设计阶段探索过的参考资料之一。这座房子的设计采用了一个不对称的V方案，将两个不同的区域连接在一起：车库和客户的陶瓷工作室的机翼，以及公共生活区的机翼。不同的空间是相互关联的，这样就可以为用户和访问者创造一个感性的叙事，他们经历了压缩和扩展的交替感觉。简单的原材料(砖、石灰、油橡木)的感官存在有助于营造一种宁静的氛围。

Organization and perceptual narrative The client’s marked interest in American minimalist painters, along with the presence of her ceramics studio, influenced the composition of the floor plan and the interconnection of simple geometric shapes in the design of the interior volumes. European stables and horse-breeding centres were among the references explored during the initial design phase. The house is designed in an asymmetrical V plan connecting two distinct areas: a wing for the garage and the client’s ceramics studio, and a wing for the common living areas. The various spaces are interconnected in such a way as to create a perceptual narrative for users and visitors, who experience alternating sensations of compression and expansion. The sensorial presence of simple raw materials (brick, lime, oiled oak) helps to create a tranquil atmosphere.

© Maxime Desbiens

3.Maxime Desbiens

Cross Section A

横断面A