架构师提供的文本描述。18世纪，人类社会与环境之间产生了一种新的关系。浪漫主义精神仰望群山，寻找崇高，这是让·弗朗索瓦·利奥塔(Jean-Fran ois Lyotard)在其1984年的著作“崇高与前卫”(The崇高与先锋)中所定义的“那种矛盾的感觉-快乐与痛苦、喜悦与焦虑、升华与抑郁”。这些话在一个人为这个家庭选择的地点的经历中产生共鸣。景色之美令人叹为观止，而建筑的方向也是完美的.然而，它的周围却是一片杂乱无章的建筑，这些建筑是在格里米苏特(Grimisuat)等社区发展起来的许多街区的典型代表，靠近高度越来越高的自然景观，以及Rh ne山谷已经建成的基础设施。

Text description provided by the architects. In the 18th century, a new relationship came about between human society and its environment. The Romantic spirit looked to the mountains to find the sublime, an idea that Jean-François Lyotard defined in his 1984 work The Sublime and the Avant-Garde as “that contradictory feeling - pleasure and pain, joy and anxiety, exaltation and depression”. These words resonate in one’s experience of the site chosen for this family home. The beauty of the view is breath-taking, and the building’s orientation is perfect. Yet its surroundings are marked by the sprawl of buildings typical of many neighbourhoods developing in communes like Grimisuat, close to the well-conserved natural landscapes found at ever-higher altitudes as well as the built infrastructure of the Rhône valley.

© Milo Keller

米洛·凯勒

© Milo Keller

米洛·凯勒

为了调和这些不同的印象，该项目精心设计，为其居民创造了一个框架，放大了网站的正面，掩盖了负面影响。与人们可能预期的相反，这一结果并不是通过将家庭利益置于所有其他考虑之上来实现的。这座建筑没有抄袭附近几座建筑物的轮廓，而是沿着一层楼向上延伸。这种房间布置使它能够以适合其地形的方案对角延伸，同时也尊重周围建筑物的总体轮廓。这个项目的质量不是在高度上竞争，而是为了获得特殊的视图，它的质量取决于开口的位置是否精确，从而建立了外部和内部之间的关系。虽然这座房子表面上的谦逊可能意味着它比它的邻居更不舒服，但它实际上提供了一种不同寻常的丰富的方向和氛围，所有这些都是以最小的代价为其人类和环境所付出的。

To reconcile these contrasting impressions, the project has been finely crafted to create a frame for its inhabitants that magnifies the positives of the site, and eclipses the negatives. Contrary to what one might expect, this outcome has not been achieved by putting the family’s interests above all other considerations. Instead of copying the profile of several neighbouring buildings, with multiple storeys rising from a base to break the line of the mountain slope, the building extends along one level. This arrangement of rooms allows it to extend diagonally with a plan adapted to its topography, while also respecting the overall profile of buildings in the neighbourhood. Instead of competing in height, in an attempt to secure exceptional views, the quality of this project lies in the precision with which the placement of openings establishes a relationship between the exterior and the interior. While the apparent modesty of the house may suggest that it is less comfortable than its neighbours, it in fact offers an uncommon richness of orientations and ambiances, all at minimal cost to its human and environmental context.

© Milo Keller

米洛·凯勒