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Australia franklin wharf renovation
位置:澳大利亚
分类:公共环境
内容:实景照片
景观设计
:OCULUS
图片:14张
富兰克林码头项目位于一片很有发展潜力的区域,使得这里的美丽不同寻常、令人难以忘怀。这个项目的设计彰显了此处的特色,是对其进行改造而不是以正规的方式对其进行建造。正在运行的码头作为霍巴特城的边界线性质模糊不清(其工业基础、工业意图、工业特性和其工业程序化性质),但它是设计的基础和导向因素。富兰克林码头的改良共要花费100万美元,SCWA委任OCULUS从事概念设计、设计开发、合同文件和
合同管理
工作,试图保留这个地方作为公共区域的性质并吸引公众到此海滨区。项目的第一期需要40万美元才能完工,第二期预算60万美元并于2010年开工。
改进一方面是为了满足公众需求,另一方面还要保留码头的功能和特性,这两者之间似乎相互矛盾。随着世界上越来越多的公共建筑逐渐统一样式,各种公共建筑逐渐标准化。公共设施、道路和艺术作品都变成了一个样式,这些场所以及市民(不管是当地人还是游客)都深受其害。随着统一的样式代替地方特色,设计代替功能,人造过程代替自然过程,所有的地方都逐渐相似。这些相似使得市民越来越感觉乏味、无聊,使他们“愚笨”到不知道去哪坐、去哪散步、去哪读书,甚至忘记了什么是“漂亮”、“美好”和“进步”。
译者: 柒柒
The Franklin Wharf project builds upon the very latent qualities of site which make the identity and beauty of the place so remarkably distinctive and memorable. The project’s design is clearly about the qualities of the existing site which have been revealed and amplified, and what is enabled through intervention, rather than what has been developed in a formal way. The ambiguous nature of the existing working wharf (with its industrial origin, purpose, and character, and all its industrial programmatic overlays) as a publicly accessible edge of the city of Hobart was the very foundation and driving strategy for the positioning of our very particular design response.
OCULUS were commissioned by the Sullivan’s Cove Waterfront Authority (SCWA) to undertake concept design, design development, contract documentation and contract administration services for the delivery of $1.0m improvements to Franklin Wharf which would maintain the area as a shared space, and attract the public to the waterfront. Stage 1 is the first of two stages completed for a capital cost of $0.4m; Stage 2 construction commences July 2010, for a budget of $0.6m.
Providing improvements intended for the public, and maintaining the functions and character of a working wharf are seemingly incongruous objectives. As more and more public space around the world becomes generic, with familiar assortments of either standardized or custom-designed ,suites of furniture, paving, and artwork, the location (the place) and the citizen (local and visitor) are casualties. Places become increasingly homogenous as the generic takes over the local, as design form takes over function, and as the ordained takes over the natural processes of time. Citizens become increasingly disengaged, dulled by sameness, and dumbed-down by prescription of where to sit, where to walk, what to read, and what is considered to be “nice”, “good”, and “improved”.
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