穿越时空的魔镜 | 巴黎 Galerie Kreo 呈现“七个关于镜子”的故事

Sofia Lagerkvist and Anna Lindgren of Swedish design studio Front present ‘Seven Stories About Mirrors’, a new solo exhibition at Paris’ Galerie Kreo (until 24 July 2021) looking at the history of mirrors in a contemporary context

One of the mirrored objects from Front’s ‘Seven Stories About Mirrors’ exhibition at Paris’ Galerie Kreo. The ‘Cut Mirror Vase’ references a 13th-century technique, involving blowing a cylinder of glass, cutting and unrolling it into a fairly even plate of glass, to achieve a flat glass surface. Inspired by this process, Front left the glass in its pre-unrolled cylindrical shape to create a vase

Galerie Kreo unveils ‘Seven Stories About Mirrors’, a project by Sofia Lagerkvist and Anna Lindgren of Front featuring seven new mirrored objects exploring the history of mirrors, on view until 24 July 2021.

For the past three years, the Swedish designers have been asking themselves, ‘What’s in a mirror?’, and this collection is the result of wide research. ‘From the first stone mirror made 8,000 years ago, the history of mirrors has been laced with magic and poetry, luxury and vanity, myth and faith, medieval industrial espionage and modern psychology, craft and technological advances, culture and self-consciousness,’ say the designers. ‘Each of our seven stories about mirrors draws from a key step in the development of mirrors, and their unique craftsmanship.’

The history of mirrors: from stone to metal

The ‘Secret Mirror’, inspired by 15th-century Venetian techniques. The designers explain: ‘When workshops in Venice perfected the technique of making plate glass, craftspeople were moved to the island of Murano to keep the secret of their craft away from foreign spies. The guildsmen were sworn to uphold trade secrets on penalty of death.’ The secret eventually got out: Louis XIV persuaded some artisans to come to Paris and share their knowledge, and in the late 1600s, Gerolamo Barbini contributed to the realisation of the Hall of Mirrors in Versailles. Front worked directly with the Barbini family (still based in Murano) to create this piece

‘Through researching the history of the mirror, we wanted to understand how an object can transform its function, materiality, value and status over time,’ say the designers. The pair started by analysing reflection, mirror design and manufacturing through history, and created seven mirrored objects that respond to these moments in time. Working from a cultural, symbolic, as well as physical perspective, Lagerkvist and Lindgren dissected several centuries of design history and techniques to create their new pieces.

From water reflections to 13th-century blown glass, from 8,000-year-old obsidian to foundries making bronze mirrors, each piece, they explain ‘is the result of an astute typological and historical analysis of the mirror-object in order to investigate how the value, significance, cultural meaning, and technical aspect of a specific object is constantly evolving with time’.

The ‘Convex’ vase and mirror, inspired by ancient Roman techniques that resulted in a distorted, bright reflection

As well as traditional vertical mirrors, the collection includes the ‘Water Reflection Side Table’, a design evoking the reflecting water surface used since prehistoric times for ceremonies or to mirror and study the sky, and two ‘Mirror Vases’, inspired respectively by ancient Roman glass mirrors and by 13th-century manufacturing techniques involving unrolling a flat sheet of glass to create a mirror.

Other mirrors in the collection include a thick, black obsidian piece that resembles a wall-mounted, oversized piece of jewellery, a bronze mirror inspired by the Chinese mirrors dating back to 2000 BC, and ‘The Secret Mirror’, referencing 15th-century Venetian plate glass techniques.

The ‘Bronze Mirror’ is inspired by ancient Chinese mirrors made since 2000 BC, originally featuring decorated reverse sides with mythological symbols or personal inscriptions. In ancient China, mirrors were a symbol of wealth and fastened with a ribbon to the owner‘s clothing, explain the designers, who were in turn inspired to create a hand-crafted rope to decorate this mirror

‘“Seven Stories About Mirrors” is about how one can study the evolution of humanity through the prism of the mirror, and how a single object fractures into multiple narratives,’ reads Galerie Kreo’s introduction to the project. ‘From industrial espionage in 16th-century Venice to Chinese metal mirrors, from early craftsmanship prowess to technological achievements, from the metamorphosis of the materiality of an object to the relationship of each one of us to our own image.’ §

Another example of the ‘Bronze Mirror’

Detail of the ‘Convex Mirror Vase’

Detail of the ‘Cut Mirror Vase’

The ‘Obsidian Mirror’, referencing the earliest mirrored man-made object, created 8,000 years ago and found in Çatalhöyük, a neolithic settlement in Anatolia, Turkey. Front worked with archaeologists from Cambridge University, who led the excavations at Çatalhöyük, to replicate the mirror in obsidian using archaeological drawings

Installation view of ‘Seven Stories About Mirrors’ at Galerie Kreo, featuring ‘Bronze Mirrors’ on the wall and the ‘Water Reflection Side Table’

The ‘Reflection Vase’ is inspired by reflective objects other than mirrors, and the effect an object’s surroundings have on it. The vase features an optical illusion, as the reflections are embedded in the thickness of the glass

The ‘Water Reflection Side Table’, a piece evoking ‘the natural mirroring qualities produced by water’s surface, in which mankind saw first saw its own reflection’

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