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明尼苏达交响乐音乐厅——现代与传统的和谐交融

2015/07/10 03:36:45
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America Minnesota Orchestra Concert hall
设计方:KPMB Architects
位置:美国
分类:文化建筑
内容:实景照片
图片:28张
摄影师:Nic Lehoux
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这是由KPMB Architects设计的明尼苏达交响乐厅。原音乐厅于1974年开放,是一个充满活力的文化和公民生活中心。原音乐厅由Hardy Holzman Pfeiffer设计,着重于礼堂的体验,而大堂空间的考虑是暂时的,并计划于15年后替换。然而距离这次改造和扩建项目已经隔了39年,该项目主要着重于音乐爱好者的体验,以及振兴音乐厅与城市之间的关系。更长远的目标是为市区南部地区的转型起到催化剂的作用,并协调新旧城区。
该项目的首要任务是保留音乐会礼堂作为原1974年设计的标志性元素,同时对大堂和休憩区进行重新构想。扩建建筑物使用了石材和玻璃建造,再次强调了音乐厅的存在感,并融入到城市文脉中。该项目设计了一个轻型的、通透的矩形“包装纸”,与音乐厅现状的砖砌鞋盒状的礼堂相对。沿着11号街和Peavey广场的建筑一侧,扩建建筑物可欣赏红色砖墙和礼堂的圆角转弯处,在新的整体突出其存在感。
译者: 艾比
From the architect. Since its opening in 1974, Orchestra Hall has played a vibrant role in the cultural and civic life of Minneapolis. The original design by Hardy Holzman Pfeiffer focused on the auditorium experience; the lobby spaces were considered temporary and were to be replaced after 15 years. But it was 39 years before the renovation and expansion project was undertaken, with primary focus on improving the experience for concert-goers and revitalizing the relationship of Orchestra Hall to the City of Minneapolis. A broader objective was to contribute to the transformation of the southern downtown district within the Twin Cities’ cultural community. Harmonizing Old and New.
A top priority of the project was to preserve the concert auditorium as the iconic element of the original 1974 design while re-envisioning lobby and amenity areas. The architecture of the additions, constructed of stone and glass, reasserts the presence of Orchestra Hall as the southern anchor of Nicollet Mall. It is designed to give new emphasis to the Hall within Peavey Plaza and to re-engage the Hall with its urban context. The design juxtaposes a light, transparent, rectangular “wrapper” against the Hall’s existing, distinctively angled, brick shoebox auditorium. On both the 11th Street and Peavey Plaza sides of the building, the expansion maintains the views to the red brick walls and the rounded corners of the auditorium, underscoring its prominence within the new ensemble.
The crisp contemporary open aesthetic of the new acts as a counterpoint to the original auditorium while acknowledging the legacy of Minneapolis’ modernist downtown buildings and public spaces, designed by some of the 20th century’s most prominent architects. The expansion introduces a contextual urban palette of exterior materials including Alabama Silver Shadow limestone panels with a honed finish for the upper levels, and Mesabi Black honed granite at the base. Urban Engagement The transparency of the new lobby architecture, with floor-to-ceiling glass walls, showcases the activity within, captures dramatic views of the Minneapolis skyline and infuses new energy into the neighborhood. The 11th Street drop-off has been shifted to the west, revitalizing the streetscape as a tree-lined avenue with a generously-scaled sidewalk that connects Marquette Avenue to Nicollet Mall, and Orchestra Hall to the urban fabric. The effect is to reinforce the international profile of Minneapolis as a walkable city and that of the Hall as an open and welcoming destination.
The new entrances to Orchestra Hall acknowledge Minneapolis’ growth over recent decades and corresponding changes in traffic patterns, which led to changes in the way the public approaches Orchestra Hall at both street and skyway levels. The new principal entrance on the west side, named the Nelson Entrance, is marked by a wide canopy that gives the Hall a bolder, more welcoming image on Nicollet Mall. A secondary street-level entrance on Marquette Avenue welcomes those arriving from the east, including those using public transit. Patrons arriving via the skyway, currently the Hall’s most popular entrance, have the choice of a new, conveniently located escalator to reach the main floor. Connecting with the City, Inside and Out.
The expansion of the lobby to the west culminates in a new glass and stone room, to be known as Target Atrium. This inviting multipurpose venue features a fireplace, large glass walls, sliding glass doors and an outdoor terrace, the Cargill Commons, bringing Orchestra Hall more prominently into Peavey Plaza.
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