铜小馆餐厅丨中国重庆丨马艾洋室内设计事务所

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绵延叠嶂的山崖峭壁，湍急奔涌的江河巨浪，高低错落的城市建筑与街巷，多情的云雾无声笼罩……重庆，天生就是一个充满神秘张力的城市。

Stretching cliffs and cliffs, rapid rivers and waves, high and low scattered urban buildings and streets, sentimental clouds and fog silent enveloped... Chongqing, by nature, is a city full of mysterious tension.

有赖于重庆地缘地貌，山势纵横，河谷交错，“平行岭谷”的地理结构，让它充满着无限的现代立体主义，轻轨穿楼，崖洞嵌山，江河飞扑，高低莽然，崎岖绵延的楼梯街巷，一边连着地，一边通着天，数百的桥梁在山谷里平行交叠，无数的防空洞豁阔在山地之中。重庆的莽莽飘逸的江湖气，也自这山水城楼里浩荡出来。

Latitude depended on the geopolitical landscape of Chongqing, to the mountain, valley, "parallelism valley" geographical structure, it is full of infinite modern cubism, light rail wear floor, cliff cave mountain, river swoop, high and low headstrong, rough stretches of stairs streets, one side connected to ground, and through the day, hundreds of Bridges in the valley of parallel overlapping, countless shelter and clear broadly in the mountain. Chongqing’s reckless and elegant river and lake atmosphere, also from the landscape tower in the vast out.

铜小馆，便是这样一间有态度、有温度、有重庆山水人文与历史积淀的川菜馆。它以传承、坚守的匠心精神，收集、还原濒临失传的老川菜、功夫菜。十余年经营，在重庆餐饮江湖地位不可撼动。铜小馆的每一道菜，辣可翻腾江湖，柔可化骨绵长，每一道菜，皆有法可循，遵循传统川菜的工艺，让老川菜得以发扬光大。

Tongxiaoban is such a Sichuan cuisine restaurant with attitude, temperature, and cultural and historical accumulation of Chongqing landscape. With the spirit of inheritance and ingenuity, it collects and revives the old Sichuan cuisine and Kungfu cuisine that are on the verge of being lost. More than ten years of operation, in Chongqing catering river’s lake position unshakable. Each dish of the copper small restaurant, hot can churn rivers and lakes, soft can melt bones long, each dish, there are laws to follow, follow the traditional Sichuan cuisine technology, let the old Sichuan cuisine can be carried forward.

这是设计师与业主用心筹划的一种新尝试。区别于其他餐厅，摒弃传统中餐厅或江湖菜馆纷繁复杂的环境呈现，将餐厅与重庆城市特征气息相融、血脉相交，结合铜小馆的餐饮特质与重庆地缘地貌特色，将餐厅与设计艺术做最直接的连接，让餐厅的江湖在城市的血脉里重构。

This is a kind of new attempt that stylist and owner plan carefully. Different from other restaurants, abandon the traditional Chinese restaurant or restaurant the complicated environment, the restaurant fellowship with chongqing city characteristic flavor of blending, veins, combined with small copper pavilion restaurant geopolitical landscape features, characteristics and chongqing restaurant will make the direct connection with design art, let dining-room of river’s lake in the veins in the reconstruction of the city.

△项目视频/Project video

重庆的建筑从来不一格，依照地形地貌飘洒发挥，交织错落的交通轨道、立交桥、防空洞、开阔连绵的江岸和撑起江面的桥墩，这些都是重庆有着奇异的立体城市符号。重庆人吃饭，也从不拘一格，桥下、江边、洞子里，也都是餐饮多的地方。

Chongqing’s architecture has never stuck to one pattern, and it is played in accordance with the terrain and landform, interweaving the scattered traffic tracks, overpasses, air-raid shelters, the open and continuous river bank and the bridge piers that hold up the river surface. All these are the strange three-dimensional city symbols of Chongqing. Chongqing people eat, also from the eclectic, under the bridge, the river, the cave, is also a lot of dining places.

在外摆区，设计师将防空洞剖出其剖面，将拱洞独特的结构美与立面感糅合在空间之中，甫一进入空间，人的眼光便被吸引，空间的张力与城市的魅力似乎由此为轴心逶迤展开。

In the outer place area, the designer will cut out the air-raid shelter section, the unique structural beauty of the arch and the sense of the facade blend in the space. Just as soon as you enter the space, people’s eyes will be attracted, the tension of the space and the charm of the city seem to expand for the axis.

圆弧卡座区用轻轨与桥墩符号构成空间，火山岩材料的桥墩是具有年代质感重庆建筑的表达，桥墩之上有弧形轨道围绕，寄予空间平衡张力的同时，让设计的美学趣味与城市建筑观念藏在空间内，亦有类似中国传统园林借景之妙，让空间中的各个区域隔而不绝，连绵不断。

Arc booth area constitutes a space, with a light rail and bridge pier symbol of volcanic material texture expression of chongqing construction. Bridge pier is a s orbit above the bridge pier with curves, balancing the tension on space at the same time. The design of aesthetic interest and the concept of urban construction on the space, also have similar Chinese traditional garden borrow scene, letting a space regions lie between and, in the endless.

设计师不断强调城市符号——拱洞在文化意象与设计表达上的认知和趣味，在一些位置上，拱洞不再单独出现，它们与重庆大桥符号相结合，空间中矗立起桥的景观洞的风貌。因为需要通透，桥墩符号就演变成了一种线性构成的屏风。

Designers constantly emphasize the city symbol -- the recognition and interest of the arch in the cultural image and design expression. In some places, the arch no longer appears alone, they are combined with the symbol of Chongqing Great Bridge, and the landscape of the bridge hole stands in the space. Because of the need for transparency, the pier symbol evolved into a kind of linear screen.

而在包房区域走廊的对墙是重庆跨江大桥的红色拱洞，进入包房，也需要从两扇桥墩中穿过，人不觉间便完成了城市肌理中的建筑书写。

The opposite wall of the corridor in the private room area is the red arch hole of Chongqing Cross-River Bridge. To enter the private room, you need to pass through two sets of bridge piers, and you will unknowingly complete the architectural writing in the urban texture.

在大厅圆柱的隐形暗门上，设计师巧妙地将重庆地标——十八梯及其所在的城市风貌画和圆柱相融合，画中阶梯的线条与圆柱线条互相交融。不经意间，人的尺度与感官仿佛发生错位，画中景象延伸出来，与空间中的桥、洞、轨道交汇，重庆的地域风貌在此间被延展还原，空间与意识紧密相连，空间环境在此既是主观也是客观。

Cylindrical invisible on the secret door in the hall, the designer will be ably to chongqing landmark, 18 ladder and city landscape painting and columns, the ladder of picture in line and column lines crossed, inadvertently, the scale of the people with the senses as dislocation, painted in the extension, and space of the bridge, hole, rail intersection, chongqing regional style here is extending reduction, space and consciousness is closely linked, space environment in this is both subjective and objective.

用异形破异形色块与几何体构建的灵活空间 Use Alien to break Alien Flexible space constructed by color blocks and geometry

铜小馆的整个空间是完全不规则的异形结构，设计师马艾洋用“异形破异形”，空间化整为零，满足不同功能做分区。

The whole space of the copper pavilion is a completely irregular structure. The designer Ma Aiyang uses "irregular broken irregular" to break the space into parts to meet the needs of different functions.

在优先满足厨房与通风的设置情况下，在入口处靠窗敞开做出 8 间包房，结合外廊做出外摆区，圆弧式开放式大厅半开半隔圆桌内厅，沿着异形的线条交织展开。设计师巧妙地将桥墩、拱洞、江岸等重庆地域文化符号和异形的空间线条及功能婉转糅合。在这些特有地域文化符号呼应下，空间功能与空间景观之间构成了层次丰富的递进关系，为用餐的客人提供了独特趣味的视角与体验。人穿过空间，有开放与半围合的交替的连续感受，空间更加灵动。

In priority to meet the set of kitchen and ventilation, open a window to make 8 separated rooms at the entrance, combined with the verandah outside make pendulum area, arc open half partition table inside hall, the hall along the special-shaped lines interweave, designers will ably piers, arches, silk and so on chongqing regional cultural symbols and alien space line and its mix function, under the echo of the unique regional cultural symbols, space function and space constitutes the rich layers of progressive relationship between landscape, provides a unique taste for dinner guests perspective with experience, people through the space, there are open and half alternate continuous surround close feeling, space more clever.

餐厅摒弃繁复缭乱的颜色营造，以极简为切入点，外观以黑白为主色，里观在黑色与白色中糅合灰色，沉稳具有风度的灰度中透出的是室内的平顺与温暖，用餐画面变得简单、干净，提升空间的视觉美观和用餐体验感。

The restaurant gives up the complicated and complicated color creation, and takes the minimalism as the starting point. The appearance is dominated by black and white, and the inside view blends gray with black and white. The calm and graceful gray reflects the smoothness and warmth of the room, and the dining picture becomes simple and clean, improving the visual beauty of the space and the dining experience.

以家庭川菜为主的铜小馆，是烟火气的载体。设计师在区别于传统餐厅，更加简练年轻的设计语言上，试图“用心中的黑白世界点燃烟火的彩色世界”。

The copper restaurant, which mainly focuses on family Sichuan cuisine, is the carrier of fireworks. The designer tries to "ignite the colorful world of fireworks in the black and white world in the heart" in a more concise and young design language, which is different from the traditional restaurant.

在极简的黑白灰中，开放的公共区域以灰白浅色和莫兰迪绿为主，辅以局部暖木色点缀，突显雅致干净，仙人掌绿植景观的出现，赋予空间生机活力。在极简之上，包房色彩更偏绚烂，以 Tiffany 蓝、克莱因蓝、马卡龙粉、复古红为主色块，色彩的深浅光影中，是具有蒙德里安韵律的构成。

In the minimalist black, white and grey, the open public areas are dominated by pale grey and Morandi green, supplemented by local warm wood colors, highlighting the elegance and cleanliness of the space. The appearance of cactus green landscape gives vitality to the space. Above the minimalist, the colors of the rooms are more gorgeous, with Tiffany blue, Klein blue, macaron pink and retro red as the main color blocks. The shades of the colors are composed of Mondrian rhythm.

整个空间从不同角度看，既有顺色，又有撞色，色彩冲突、交融、重叠、呼应，在灰色的极简空间中充满了惊喜，空间变得有趣而生动。

The whole space from different angles, both smooth color, and color collision, color conflict, blend, overlap, echo, in the gray minimalist space is full of surprises, the space becomes interesting and vivid.

光影的符号化

重庆的光影，既轻盈又开阔

The symbolization of light and shadow. The light and shadow of Chongqing is light and open.

光，是塑造空间的媒介与手段，是空间氛围的线索与营造，是艺术与技术对自然的模拟和改变。在空间光影的营造中，设计师依旧从重庆特有地域文化符号入手，在空间光影语言上，再一次完成人与空间、空间与城市的对话。

Light is the medium and means to shape space, the clue and creation of space atmosphere, and the simulation and change of nature by art and technology. In the creation of space light and shadow, designers still start from the unique regional cultural symbols of Chongqing, and in the language of space light and shadow, they once again complete the dialogue between man and space, space and city.

半开放区是一整面西晒的玻璃幕墙，设计师用重庆常见的斜拉桥符号，营造江边胜景，桥上“拉索”交织构成的网格，将阳光进行分割过滤，减弱刺眼光效，提升此处用餐舒适感的同时，让空间形成斑驳的光影效果，与空间的线性桥墩屏风投射的光影流动交织，时间仿佛被弯曲，更缓慢地流逝。

Half open area is the entire surface of the glass curtain wall of with a western, stylist cable-stayed bridge in chongqing common symbols, create a river city, the bridge "lasso" a grid that composed of sunlight segmentation filtering, dazzling light efficiency, improve comfort here to a meal at the same time, make a space to form the dappled light and shadow, space and linear pier screen projection light flow interweave, time seems to be bent, more slowly.

人是空间的使用主体，设计师对餐厅空间的营造，是对用餐客人在区域尺度下听觉、嗅觉和触觉的感受加强。

People are the main body of the space. The designer’s creation of the restaurant space is to strengthen the sense of hearing, smell and touch of the dining guests at the regional scale.

一个空间里有地域山川，有城市意象。一个餐厅的表达，也可以说是一个城市的语言，以城市文化符号为本，又以人文气息与空间艺术为底蕴，空间的设计语言与城市环境相融合的二次表达，是整个城市发展之下，人们对更富有品质感的环境的心理诉求与碰撞，摩天大楼，烟火生活，最好的餐厅设计，是让餐厅本身去讲述它和它所在城市的变迁和故事。

In a space, there are regions, mountains and rivers, and city images. The expression of a restaurant, also can saying is the language of a city, with the city cultural symbol for this, and art culture and space as the background, design language of space and the integration of the urban environment of quadratic expression, is under the whole city development, the more quality sense environment psychological demands and collision, skyscrapers, fireworks, the best restaurant design, is to make the restaurant itself to it and the changes of the city and story.

项目名称｜铜小馆餐厅

Project name | copper small hall restaurant

项目地址｜中国重庆

Project Address: | Chongqing, China

设计单位｜马艾洋室内设计事务所

Design unit | Mayang Interior Design Office

主创设计｜马艾洋

Lead designer | Mayang

助理设计｜张琳玲 胡柔娟

Assistant designer | Zhang Linling Hu Rojuan

软装顾问｜覃勇毅王雅竹/重庆熙予软装

Soft outfit consultant | qinyongyi wang yazhu/chongqing xi to soft outfit

工程施工｜重庆帝安装饰设计工程有限公司

| Chongqing Di’an Decoration Design Engineering Co., Ltd

主要材料｜大理石、火山岩板、涂料、木饰面、金属板等

Main materials: | marble, volcanic rock plate, paint, wood veneer, metal plate, etc

项目摄影｜张骑麟（除特别注明）

Project Photography BBB 0 Sheet Ching Lin (unless otherwise noted)

马艾洋室内设计事务所成立于 2015 年，总部位于重庆，专注于高端住宅及个性化商业空间的设计。公司实行全案落地服务，强调设计的可落地性与原创性，每年仅服务少数高品质客户，以保证服务质量及设计的完美实施，对细节和品质的执着追求是公司的一贯服务宗旨。

主创设计师马艾洋，毕业于四川美术学院，后进修于北京清华大学环境艺术系，其构思前卫开放、大胆包容、敢于创新与自我突破；倡导精简、实用、精致的艺术空间，不拘于风格和形式的约束，强调建筑空间的灵动性和可变性，尊重空间、环境与人的互融关系，立足于生活，放眼于未来，总是用其投入与专注，为客户实现着一个个理想的梦想家园。

内容策划 /Presented

策划 Producer：知行

排版 Editor：Tan

校对 Proof：Tan

图片版权 Copyright：原作者

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