南京中海观文澜丨中国南京丨春山秋水美学,水平线设计

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风雨萧萧，石头城下木兰桡。 烟月迢迢，金陵渡口去来潮。南京，这座自古文脉悠长的城市，有情有诗，展现淡里透彩的人文底蕴，幻化出中国最精彩的文化名卷。如今，用简静的东方现代笔触，于空间，续写书香荡漾的妙意，恰似描绘当代与历史交织的自然山水图。

Wind and rain rustle, stone city under magnolia radial. Smoke month long, jinling ferry to tide. Nanjing, a city with a long cultural history since ancient times, is full of love and poetry, showing the light and colorful cultural heritage, and turning into the most wonderful cultural volume in China. Now, with the simple and modern Oriental strokes, in the space, continue to write the wonderful meaning of the rippling book, just like depicting the contemporary and historical interwoven natural landscape map.

南京中海，秉承如此地源文脉，探索城市人居的文化属性，力求打造人文与自然交融，而非仅限于器物的生活环境。在这座人文城市中，南京中海观文澜，如同一首裹挟着岁月书香的现代诗，将自然与人文，历史和当代都化诸设计的笔端，勾勒出一座致敬传统、回应当代的诗歌会客厅。

Nanjing Zhonghai, adhering to such a cultural context, explores the cultural attributes of urban living, and strives to create a living environment where humanity and nature blend, rather than just objects. In this humanistic city, Nanjing-Zhonghai View is like a modern poem with the fragrance of time and books. It combines nature and culture, history and the contemporary into the design ends, and Outlines a poetry hall that pays tribute to tradition and responds to contemporary times.

入口处如书页随风翩舞的艺术装置，雕刻着入心诗句，于无声中洇出书香主题。暧昧的深色与些微金属碰撞，为整个空间儒雅平和的气质注入一丝当代的思考之力。

The entrance is an art installation that dances like the wind on the pages of a book, carving poems into the heart and spreading scholarly themes in silence. Ambiguous dark and a little metal collision, for the whole space elegant and gentle temperament into a contemporary thinking force.

竹石点缀的苔地置景，回溯着传统意趣闲情，用造园笔法将古人的林泉之思采撷入室。被它环绕于中央的白色镜面茶室空间，象征精神世界的辩证思考，也似耳畔回荡着的现代诗歌。自然与人为，传统和现代，碰撞出奇妙观感。人在其中，只于玻璃墙脚处见到透入的苔园，正是这一线风景，让思绪中的“未见”蔓延，国人的“曾经”与“当下”便在此交融。

The moss ground decorated with bamboo and stone sets the scene, tracing back to the traditional fun and leisure feelings, and collecting ancient people's thoughts of Linquan with the garden writing method. Surrounded by it, the white mirror teahouse space in the center symbolizes dialectical thinking of the spiritual world, and also looks like a modern poem echoing in the ear. Nature and man - made, traditional and modern, collide with each other in a wonderful way. The person is in among them, see the moss garden that enters thoroughly only at the foot of glass wall, it is this one line scenery, let feeling in "not see" spread, of Chinese people "once" and "present" blend here.

继续往前，如同来到一处敞阔端雅的大书房，沙盘区与洽谈区安置于此。大面积静雅沉郁的灰蓝色调搭配木色，俨然书房主人波澜不惊的内心世界，延玻璃落地窗透入的自然光仿若点亮了书房的心灯，恰好让桌面上精心挑选的艺文书籍清晰可辨。蕴藉着东方气韵的花艺作品搭配细节处从传统文化与在地工艺汲取灵感而来的装饰物件，无不令满室萦绕一股熨帖的书香。

Continue to move forward, as to an open and elegant large study, sand table area and negotiation area placed in this. The gray blue tonal collocation of large area jing ya gloomy wood is lubricious, perversely the inner world of study host placid, the natural light that yan vitreous French window enters imitates if lit the heart lamp of the study, the art book that lets the table top carefully chooses is clear discernible. The decorative objects, inspired by traditional culture and local crafts, are all filled with an elegant and scholarly atmosphere.

随心而入，仿佛步入了一处可观、可感、可体会的“现代人文诗歌书院”，精神世界之美好、心灵情丝之浪漫，于此被诗意地转化呈现。在东方语境笼罩下，大面积落地玻璃与水景相互映衬，引领来人的思绪与步伐，让一颗心随着空间深入而逐渐安静，沉溺于一片现代东方的美妙境地。

As you enter, you feel as if you have entered a considerable, palpable and experienced "Modern humanistic poetry Academy", where the beauty of the spiritual world and the romance of the heart are poetically transformed and presented. Enveloped in the Oriental context, a large area of floor glass and waterscape set off each other, leading the thoughts and steps of the visitors, making a heart gradually quiet with the deepening of the space, indulging in a wonderful situation of the modern Orient.

VIP空间延续着深色与木色的搭配主题，光线的控制令它愈显稳重静谧。避免乱花渐欲迷人眼的喧嚣，仅几点葱翠绿植便足以撑起满室雅清和自然生机。

The VIP space continues the theme of dark and wood color, and the control of light makes it more sedate and quiet. To avoid the chaos of flowers and charming eyes, only a few verdant plants will be enough to support the elegant and natural vitality of the room.

空间中暗埋着隐线，从张若虚那首孤篇压全唐的《春江花月夜》中提取意象元素，展开，漫延，营造氛围。在习惯以月寄情的中国，月亮本身就代表着诗意和对美好生活的愿景。于是整个空间以“月”代“诗”，从初见、升起、忆梦、高悬到西斜、影落，节奏起伏与情绪铺陈都随着这枚溶于想象的“月儿”而拥有了阴晴圆缺的变化，徜徉其间，便总有桂华流瓦、清辉盈身的美妙意境。

Hidden lines are buried in the space, and the image elements are extracted from Zhang Ruoxu's lonely poem "Spring River, Flowers and Moonlight night", which covers the whole Tang Dynasty, to expand, diffuse and create atmosphere. In China, where the moon is used to expressing love, the moon itself represents poetry and a vision of a better life. Then whole space with "month" generation "poem", from first see, rise, recall a dream, high hang to the west oblique, shadow falls, rhythm rises and falls with mood elaborate as this dissolve in imagination "moon child" and had the change of shade fine circle lack, wander in the meantime, always have the wonderful artistic conception of laurel flowery tile, qinghui surplus body.

项目名称｜中海·观文澜 

Project Name | Zhonghai guanlan

项目位置｜中国 江苏 南京

Location | Nanjing, Jiangsu, China

项目面积｜450㎡

Project area | 450㎡

完成时间｜2022年

Completion date | 2022

软装设计｜春山秋水美学

Soft outfit design | Chunshan autumn aesthetics

硬装设计｜水平线设计 

Hardmount design | horizontal line design

业主单位｜南京中海 

Owner unit | Nanjing Zhonghai

业主团队｜金樑、王洲、葛凤腾、夏天、唐红梅、包轶楠 

Owner team | Jin Liang, Wang Zhou, Ge Fengteng, Xia Xia, Tang Hongmei, Bao Yinan

项目摄影｜上海艾影-鲁哈哈、春山秋水美学-张超超、Pinky

Project Photography | Shanghai Aiying -- Luhaha, Aesthetics of Spring Mountain and Autumn Water -- Zhang Chaochao, Pinky

由几位青年设计师共同创立，作品种类多元化，涵盖精品建筑、室内、软装陈设等领域。设计与实施不脱离人性化服务，在满足顾客诉求的同时，致力于雕琢每件作品所独有的鲜明特质。

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