《侨信·云起》——云海中的宁静空间

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In thousands of shapes and images they unexpectedly turn void

Reflected by rivers and hiding mountains, they remain overlapping.

In the dimness before a daybreak from night rains

Spectacular is a sight filled with strange peaks

A peak seems growing suddenly,

Later revealed staying still are mountains real.

In “A Daybreak Walk to See the Cloudy Mountains”, skillfully captured the characteristics and dynamics of natural scenery. The last two lines point out that “strange peaks” were actually caused by the changing clouds and fog, while those remaining still are true peaks. It applies expressions as plain and clear as dialogues. By mistaking the clouds as peaks, the poet depicted the dynamic and static scenery in a rather lively and interesting way. As for the concept of this project, the “clouds beyond clouds” also indicates that the genuine peaks among humans are definitely remaining most hidden. 

After sauntering to the end of the rivers,

I sit down to view the rising clouds.

Wang Wei (701-761), a landscape poet in the Tang Dynasty, sauntered around alone. Reaching the end of the rivers, he would sit down to see the changing clouds. This vividly depicts the inner world of a hermit. Whether it's cloud, rain or fog, it belongs to the assorted changes from the single form of water, which is freely manipulated by designers. Therefore, the main creative team in charge of the project, our fellows in the Story Space Design Co., Ltd., deeply love that kind of creative realm featuring freedom and boundlessness. This is also the tacit understanding of Asoka Zhu and Ken Chung after working together for many years.

Flowing water and fleeting clouds freely reach everywhere they wish. It is the origin of the design concept of the Qiaoxin· Rising Clouds. Everything in design is rooted in life. After much mental experiences, one can endure some tests from one’s life, after which one can saunter ahead like flowing water and fleeting clouds. 

For the entrance to the front hall, designers hope that the space bestows immediate calmness. As the form of water can best cleanse rattled minds of visitors, designers integrate the cascading water with the reception function, making it the first space focus, to arouse the subsequent anticipation for what lies after the end of the water. It guides visitors to longingly press forward. 

In the negotiation area, one is greeted with the full assaults of colors, sounds, aromas, tastes and touches. The cascading patterns and lines of the fleeting clouds follow the flow, presenting a ceiling of a cloud sea. It guides the dynamic visual line of the visitors and make their thoughts undulating like fleeting clouds and flowing water. In addition to the visual space design, the olfactory design hidden in the emotional design is also an essential part of the project.

For Asoka Chu, the Cloud Rising Clubhouse is the epitome of the quality, taste and brand of the whole premise. From it the visitors will feel the breath and ambience of a future life. Therefore, the core of the overall design is to use scenarios to infect emotions and the five senses to refresh the hearts of the visitors. Our goal is to let the visitors slow down their breathing and feel everything in front of them. They will find that this clubhouse is different and their future lives will be different. Ken Chung also said that in the present bringing forth the new to replace the old, the inhumane sales offices full of commercial atmosphere seems self-reflecting. They are replaced by experience venues with stories and warmth. After entering the negotiation area, one can feel the customers’ experiences with the five senses tantalized by the dynamic lines. With the faraway echoes between the cascading water and the cloud realm on the ceilings, such a comfortable space bestows a comfortable sense for visitors to stop moving to sit down. 

The space node of the walkway into the model room maximumly absorbs the outdoor landscape, having realized the extension and penetration of the indoor and outdoor space and created a rich experience in the limited space. On the other hand, the overall design takes more account of the era expressions of the oriental aesthetics, linking architecture, landscape and interior in a balanced way. It uses richly poetic facades and highly rhythmic dynamic lines to penetrate and intersect the spaces with sight, touch, sound and rules. It is the unique affections given to the Qiaoxin· Rising Clouds by the designers of Story Space Design Co., Ltd.  

The Chinese ink calligraphy and painting coincide with the designing methods like fleeting clouds and flowing waters, depicts the constantly passing time, and describes the rights and wrongs of the human world. As the brush pen moves naturally and unrestrainedly, strokes, some as elegant and beautiful as caressing breeze and others rhythmic, gradually produce the Chinese character of “Zen”. In the eyes of Asoka Zhu, “The sparse wind and clear moon come sometimes; the running water and fleeting clouds remain nowhere to find.” It reveals a whole world reflected by one leaf.

开发商：侨信控股集团

项目地址：广东省东莞市观澜塘厦“侨信.雲起”

项目面积：2300㎡

室内设计：深圳市故事空间设计有限公司

主持设计：朱海博、钟行建

参与设计：方洁、徐秋绿、何凯强、龚涛、曹幸惠、戴颖娜、钱子、陈莉等

软装单位：深圳市艺居软装设计有限公司

施工单位：深装总建设集团股份有限公司

摄影：江河摄影

Profiles of Designers

朱海博 

ASOKA CHU

Master of Interior Design Management at Politecnico di Milano

Senior Interior Architect

With over a decade of experience in the design industry, good at “new Asian-style design in an international vision”

钟行建 

KEN CHUNG

Master of Interior Design Management at Politecnico di Milano

Years of focus on hotel and commercial space design, good at new oriental culture and modern style space design

Adhere to personal principles featuring an exquisite life and fine design, striving to give new vitality and integrity to the spaces through his designs.

Representative Works

Dongguan Oriental Ginza International Hotel

Shanxi Exhibition Hall of Chunzaidongfang

Ms. Li's NH@Cool Whiskey Bar

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