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«Oberon» is the outermost of the main physical satellites of the planet Uranus. It was discovered by William Hersell in 1787 and was named after Oberon, the king of elves in Shakespeares «A Midsummer Night’s Dream».
“Oberon”是天王星的主要物理卫星的最外层。1787年,威廉·赫塞尔(WilliamHertell)发现,在莎士比亚的《仲夏夜》(S)《仲夏夜》(S)的《梦中》中,《精灵王》被命名为奥伯隆(Oberon)。
The planets, the sea and the mystical atmosphere of the Shakespearean era have been an inspiration for the design of this new hotspot. Oberon is located under the arcades of Bernard Ernst at Aristotelous Square, facing the sea that surrounds the bay of Thessaloniki.
莎士比亚时代的行星、海洋和神秘气氛对这个新热点的设计产生了灵感。Oberon位于BernardErnst的ArcadesofBernardErnst在亚里士多德广场,面对着围绕塞萨洛尼基湾的大海。
The rectangular ground floor plan characterizes by a wide façade and expands on two levels.
矩形底层平面图的特点是一个宽阔的立面,并在两层展开。
Regarding the floor plan, the main ground floor has been organized by placing all the auxiliary functions at the back. That gesture let the rest of the front space free for the bar and the development of the seating area. The toilets and the main kitchen area have been placed on the mezzanine.
关于平面图,主要的底层已经通过将所有的辅助功能放在后面来组织。这个手势让前面的其余空间自由的酒吧和发展的座位区。厕所和主厨区已放在夹层..
The interior space, with its large side open to the loggia, had to accommodate the necessary functions with balance and harmony. Respecting the client’s wish, the space was designed to function as an all-day cafe bar and restaurant, serving a simple but special menu. Additionally, the bar has been placed parallel to the movement of the galleria - that is, alongside the length of the larger side of the room. The gradual height reduction of the tables and chairs, starting from the bar towards the exterior, allowed a clear view to the sea from every corner of the interior.
内部空间以其巨大的侧面向Loggia敞开,必须以平衡和和谐的方式容纳必要的功能。尊重客户的愿望,该空间被设计为全天咖啡厅酒吧和餐厅,提供一个简单但特别的菜单。此外,杆已经平行于Galleria的移动放置,即沿着房间的较大侧面的长度。桌子和椅子的逐渐高度减小从朝向外部的酒吧开始,允许从内部的每个角落清楚地看到大海。
A tall central table surrounded by comfortable stools has been placed in the middle of the space, parallel to the bar but at a lower height. Alongside the façade, lower stands and comfortable armchairs offer an unobstructed view towards the gallery and the sea.
一张高的中央桌子被舒适的凳子所包围,放置在空间的中央,平行于酒吧,但在较低的高度。在立面旁边,较低的立面和舒适的扶手椅可以畅通无阻地俯瞰画廊和大海。
As the visitor enters the cafe, on the right side of the room, the floor has been elevated and furnished with dining tables and a comfortable sofa, in order to differentiate the dining use from the rest of the area. On the left side of the entrance a spiral staircase leads to the mezzanine, where the toilets and the kitchen are located. One of the key elements in Oberon’s interior is the box-like metal structure of the higher part of the staircase. The sides of this “box” have been decorated by a composition of empty and full shapes of black and white marble.
当游客进入咖啡厅时,在房间的右侧,地板被抬高,配有餐桌和舒适的沙发,以便区分用餐使用。在入口的左侧,一个螺旋楼梯通向夹层,厕所和厨房都在那里。Oberon内部的关键元素之一是楼梯的较高部分的盒状金属结构。该“箱”的侧面用黑色和白色大理石的空和全形状的组成进行装饰。
Regarding the materials and the general atmosphere of the space, the architects’ intention was to create a meeting place characterized by an accessible but sophisticated luxury; a warm and pleasant environment with elements – influences that reflect the name «Oberon». The walnut wood of the bar together with its bronze elements and the white marble, compose an image of balance through contrast.
关于空间的材料和一般气氛,建筑师们的意图是创造一个会议场所,其特点是一种可接近但复杂的奢华;一个温暖和舒适的环境,其中包含各种元素-反映出Oberon这个名字的影响。该酒吧的胡桃木与其青铜元素和白色大理石一起,通过对比构成了平衡的形象。
Behind the bar, a black metal structure supports the shelves made of marble and bronze in order to accommodate the liquor bottles. At the same time, a grid of bronze mirrors behind the bar reflects the magical view of Thessaloniki’s coastline.
在酒吧后面,一个黑色的金属结构支撑着大理石和青铜制成的架子,以容纳酒瓶。同时,酒吧后面的一格铜镜反映了塞萨洛尼基海岸线的神奇景色。