1616 Arita Japan 旗舰店的创意布局丨日本丨Teruhiro Yanagihara 的工作室

由创意总监Teruhiro Yanagihara的工作室设计的1616 Arita Japan新的旗舰店，位于Kyushu著名的陶瓷中心，瓷器不仅限于杯子、盘子和碗。这种材料到处都是，墙壁和天花板也是用瓷石和当地土壤混合而成的。

Porcelain is not confined to cups, plates and bowls at 1616 / arita japan’s new flagship store in the famed ceramics hub of Arita, Kyushu, designed by creative director Teruhiro Yanagihara’s studio. The material is all around, quite literally, with walls and ceilings also plastered in a mix of porcelain stone and local soil.

新旗舰店占地约300平方米，是该品牌的实体体现。其概念是以一个以家庭为灵感的布局，加上一个咖啡馆供应来自京都的周末咖啡，让游客体验触觉和使用产品的美。Yanagihara没有使用展示架来销售Arita 瓷器，而是设计了一些日常生活的元素，比如厨房、带壁炉的客厅和浴室，这样游客就可以想象是和这些瓷器一起生活了。

The new flagship, spanning approximately 300 square metres, is a physical reflection of the brand. Key to its concept is a home-inspired layout, plus a cafe serving Weekenders Coffee from Kyoto, for visitors to experience the beauty of touching and using the products first-hand. Instead of using display shelves to sell Arita porcelain, Yanagihara designed elements for daily life, such as a kitchen, a living room with a fireplace, and a bathroom, so visitors can imagine living with the pieces.

这个单层的空间位于其他Arita展厅的中心，是由泥土和原始材料拼贴而成，由最小的墙壁隔断进行松散地分割。在前面是一个由切成片的砖块组成的平台，它们被整齐地包裹在黑色涂层的铁板中，上面陈列着1616 Arita 当代亚光白色形式的作品。

The one-storey space — located within a hub of other Arita showrooms — is a clean-lined collage of warm blocks of earthy, primal materials loosely broken up by minimal wall partitions. At the front is a platform of sliced bricks, encased neatly in black-coated iron plates, upon which the contemporary matte white forms of a selection of 1616 / arita pieces are displayed.

四周都是色彩浓厚的陶土墙壁，由当地的石膏匠将当地陶艺家使用的瓷石与Kyushu土壤混合而成。墙壁的有机纹理通过附在边缘的铜板被打磨成焦点。天花板使用了同样的抹灰土，但同时使用了更细的石头，营造出一种微妙的层次感。

All around are walls in rich terracotta shades, crafted by local plasterers who blended the porcelain stone used by local ceramicists with Kyushu soil. The walls’ organic texture is sharpened into focus by the copper plates attached to the side edges. The ceilings were made with the same plastering soil but using finer stones, creating a subtly gradated sense of texture.