GRiD 青年教育购物中心丨新加坡丨SPARK

Architects:SPARK

Area :21800 m²

Year :2022

Photographs :Fabian Ong, Studio Zeros

Lead Architects :Stephen Pimbley, Wenhui Lim

Project Management :Arcadis Pte Ltd

Structural Consultant :Arup

Lighting Consultant :Brandston Partnership Inc.

Construction :Gennal Industries Pte Ltd

Electrical Consultants :Arup

Design Team : Stephen Pimbley, Wenhui Lim, Carlo Joson, Jessica Leong, William Nguyen Van Thanh Ha, Andriani Wira Atmadja, Javier Campoy, Mark Mancenido, Michael Halagao, Maribelle Lapizar, Syazana Paudzi, Regina Kartika, Joei Wee, Lili Saputri, Aye Yu Mon, Arissa Rashid, Zhen Xiao Yang

Consultant : TRIPPLE

Client : GAW Capital Partners, Manful Wings Pte Ltd

Country : Singapore

SPARK has a reputation for the innovative transformation of buildings such as Clarke Quay and Starhill Gallery.GRiD is the next chapter in this narrative. A youth-focused mall and education hub sits at the heart of Singapore’s Selegie Arts District. Sandwiched between the adjacent School of the Arts (SOTA) and several time-worn shopping malls. GRiD is a great example of the vibrant retrofitting of an existing building that extends its community relevance through positive reuse rather than wholesale demolition and re-construction. The metamorphosis of GRiD’s street corner into a “beacon” and attractor as well as housing an increased quantum of high revenue-generating F+B units is SPARK’s signature gesture and a cultural “nod” to the night-time luminosity of the local shophouses. A new ‘social stair’, a key component of the dynamic new corner is located opposite SOTA driving footfall to “food joints” in the basement. The stair is the place to relax with friends, watch onscreen shows or enjoy live performances by GRiD’s arts-focused tenants. The corner shops and social stairs have become a vibrant digital generation-friendly “Instagrammer” canvas for content creators and experience seekers. The GRiD has been deliberately designed to stand out from its neighbors. The energy of the exterior is carried into the interior spaces, redolent of a post-industrial aesthetic with neon lights and supersized utilitarian graphics.

GRiD sits at the heart of Singapore’s Arts District， sandwiched between SOTA (School of the Arts) and 2 of Singapore’s older generation of shopping malls Park Lane and Peace Centre. GRiD is a great example of a positive transformation of a failing building into socially-focused youth retail and education hub for the community. The upgrading work is centered on the core purpose of increasing asset value through social interaction, increased accessibility, and the celebration of self and community.

Transformation of Building Image. The primary gesture is the transformation of the building’s corner, its key address, and threshold to the street. The reenvisioned corner becomes the building “beacon” and attractor, a vibrant digital generation friendly “instagrammer” canvas for content creators, and experience seekers. The multilevel high rent ‘flagship’ corner is the result of moving low rental value shops from deep parts of the building interior to the easily accessible and high visibility street corner. The low value shops were “voided” out to create visual and spatial connections from the ground floor into a double volume gymnasium in the basement.

Programmatic mix to suit Client objectives. An increased quantum of youth-focused “food joints” are located at transformed corner, replacing an unproductive 4-storey void. The new corner facilitates great Al fresco dining spaces with terraces that increase visibility to and from the building and importantly underpinning the notion of urban interaction.Key facts on leasable area increase:• Area at key corner threshold: 50%• Area along the street front: 35%

Social Stair. A new ‘social stair’ is introduced adjacent to the School of the Arts (SOTA), an important part of the dynamic new corner and place to relax with friends on benches watching shows onscreen, or live performances, in a naturally ventilated triple volume space. The stair volume provides more façade are for the restaurants and creates a socially-focused addition to the arts district urban grain. The social staircase provides direct access to the basement, food street, and other “attractor” facilities like the ‘social washroom’, public study & work zones, vending machines & lockers, all designed to transform utilitarian functions into social spaces.

Social Washroom. The impact of mobile gadgets and social media on everyday life, inspired SPARK’s design of utilitarian space into positive places for chance meetings, gossip sessions, and image creation while taking a break between shopping, education, or work. The social washroom’s bespoke post-industrial washbasin and WC cubicles are designed to be “photobooth” backdrops with super graphics which prompt fun and unexpected spontaneous selfies.

Branding Design. GRiD. The new corner restaurants and interior of GRiD are a positive convergence of social spaces with multiple platforms for self-expression located at a city junction which is in a constant flux of people flow vibrancy and energy. Here the building is graphically personalized with a slot machine style- jackpot GRiD Logo, the letter “i” representing “self”.“GRiD” building and brand name was developed by the design team and integrated into the design of the facade, entrances, wayfinding, and interior design.

Setting the stage with graphic interior design and wayfinding. The post-industrial material palette embodying the spirit of grunge, freestyle expression and arcade neon renders GRiD generationally different to its neutral neighbours, instead taking its colourful character from the vibrantly illuminated shophouses across the street. The supersized road marking graphics and neon logos are a real-life stage that set a flux of people and activities supported by GRiD’s urban theme. The urban graphic theme guides users around the building from street to basement and up through the escalator voids and lift lobbies to the restaurants, shops and education campus located at the building’s upper levels. Pop-up stores, remote-working / study zones, and social shared spaces encourage communal events, public interaction and space sharing.

Floor graphics and ceiling patterns incorporate abstract and supersized versions of street directional signage and road markings. Ceiling directional signs guide visitors to key attractor social facilities and tenancy areas within GRiD. Graphic icons are designed to casual youthful insouciance and motion.SPARK has transformed GRiD into a regenerated place to “be”. A learning campus, workplace, a place to socialize, shop, eat and connect with the local arts community. An outwardly looking destination that is social, experiential, and an authentic “local” experience in an offbeat location.

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