都市江南 | 山水意境的现代演绎

傍晚时分，街灯还没有亮，汽车的尾灯倒是照亮了整个街道。此起彼伏的喇叭声与缓慢的车流形成了反差，匆忙而又急切。室内温暖的空气朦胧了窗玻璃。路灯亮起，行车的速度仿佛快了许多，窗玻璃上凝结的水汽，流落出一片山水的图案。还能记起在那青瓦白墙间，雨水细脆地打在油纸伞，铿铿地敲向青石板，溅落在墙角青苔。

The sun is going down. The streetlights are still not on, but the taillights have lit up the whole street. The incessant honking of horns rises and falls, contrasted with the slow flow of traffic. The warm air in the room clouds the windows. Suddenly, streetlights light up, and cars seemingly move faster. The condensation of water on the window glass flows out a landscape grain. People can remember the sound of rain between green tiles and white walls dropping on the oil paper umbrella and the moss at the corner. 

江南的风掺着雨，雨伴着风落到墙上，透过那芭蕉叶又是一片山水。走出小巷，河对岸炊烟袅袅。恍惚中，深藏内心的那份记忆，依稀可见。虽身处都市的繁华与喧嚣，内心仍渴求那一份山水。

In Jiangnan, wind is mixed with rain, while rain accompanied by the wind falls on the wall, through the banana leaves creating another piece of landscape. Walking out of the alley, across the river is the smoke curling up. vaguely conscious, that memory deep in heart is dimly visible. Although located in the bustling and noisy city, the heart is still longing for a piece of landscape.

在工业技术迅猛发展的今天，我们的生活空间缺少情感内容，艺术被人们流放，与现实生活完全隔绝。因此，失去了艺术的调和，生活的美感失衡。科学与工业日益进步，孤立的情感游离在一个极端与另一个极端之间。

Today, with the rapid development of industrial technology, our living space is short of emotional content, and art is exiled by people, completely isolated from real life. The loss of artistic harmony results in the aesthetic imbalance of life. science and industry advancing, isolated emotions drift from one extreme to the other.

取江南水乡氤氲的水墨韵味与徽派建筑粉墙黛瓦的画面结合现代都市的生活方式以意象生出意境，当寻常的事物与自然的隐喻接连，审美的外延便愈显的宽广。

Taking the dense ink charm of riverside towns in the south of the Yangtze river and the pictures of the white walls and black tiles in the hui-style architecture, combined with the modern urban life style, the artistic conception is created by those images. When ordinary things and natural metaphors are connected, the extension of aesthetics becomes more and more broad.

在一定程度上抹去空间内外的界限，增加空间的连贯性，消除空间的隔阂，达到融合的目的。

To some extent, it erases the boundary between inside and outside the space, increases the continuity of the space, eliminates the estrangement of the space, and achieves the purpose of integration.

体量与线条的变化也蕴含着独特的节奏和动感，简单的造型伴随着精巧的细节，自成中和之美。利用材料中仿若山水的天然纹理，获得水墨的效果。景在物中，而情生物外，精巧的结构与家具之外的灰色形成正负空间的美妙转换，这些变化仿佛带有一种抒情的意味，只耐观玩。

The change of volume and line also contains the unique rhythm and feeling. Simple shape is accompanied by exquisite details, forming the beauty of self-neutralization. The natural texture of mountains and rivers is used to obtain the effect of ink. Scene is in content, while feeling is outside biology. There is an excellent transition between the gray exquisite structure outside and furniture. These changes seem to contain a kind of lyrical interest.

素壁当纸，石材如画纹路启承流转，玩器高下相应，似观名家妙迹，不记门外尘世喧嚣，便已欣然忘形。

Plain wall should be like the paper, and stone picturesque lines combine and circulate, corresponding stuffs, like the view of the famous wonderful works. Never remember the hustle and bustle world outside. You would be delighted to forget all of that.

谈不上所谓的兼容并蓄主义，宁愿看是彼此和谐地生活在一起。

There is no such thing as eclecticism. I prefer to see each other living in harmony.

Location/项目地址：宁波余姚

Area/项目规模：200㎡

Interior Design/主案设计：成作设计 罗灵华

Sof t Outfit Design/软装设计：成作设计 何苗苗

Const ruction Side/施工单位：中雅装饰有限公司

设计师简介

罗灵华

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宁波创意联合Dlife设计与生活（南京）、设计师DESIGNER（重庆）、希岸国际（杭州）、正反设计（宁波）、瞰设计（天津）、大董聊设计、青创工坊设计传媒（山东）、云南壹家居（云南）、ECC设计传媒（广州）、设计部落（西安）、锋范广西（广西）、联盟传播（武汉）、上海道哲建筑设计（上海）、庐州家居（安徽）

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