风华臻集工作室&艺术展厅丨中国杭州丨木卡工作室

木卡工作室

HangZhou/ BinJiang  2022

风华臻集工作室&艺术展厅

Fenghua Zhenji Studio&Art Space

我们与时间的关系总是充满了偶然随意、不可逆转。仿若一条永不停息的河流，时间轻易裹挟着人们的爱意、眼泪、所有回忆和伤痛，一股脑地汹涌向前。回过头来，却已是垂垂暮年。珍藏一段时间本质上并无可能，但现代空间的塑造手法却能将时光的影子复刻。材质、色调、光影、气息，当所有元素恰当地拼凑，区别于当下的另一种时空体验便有机会展开在我们的眼前。美的体验也因此自然生成。

Our relationship with time is always full of chance, randomness, and irreversibility. Like an endless river, time easily carries people's love, tears, all memories, and pain, surging forward in a rush. Looking back, I saw that I had reached old age. Collecting for a period of time is essentially impossible, but the modern techniques of shaping space can replicate the shadow of time. When all the elements of material, color, light and shadow, and atmosphere are properly pieced together, there is a chance to unfold in front of us, which is different from the current time and space experience. The experience of beauty is naturally generated as a result.

我们希望在这个艺术空间里，把古董和当代艺术融合在一起，把东方和西方的文化融合在一起，发掘那些真正永恒的，普世的东西。是那些随着使用和岁月，随着光线照射逐渐褪色，却反而更加有韵味的东西。通过这样一个空间，能引导更多的人们，去感受如何将艺术品融入生活，来自不同时期的艺术品，最终在这里融汇，形成不同的氛围。希望这些古老的事物，在这样一个容器里，重新被理解，那些隐藏在老物件里的价值可以重新被唤醒，被利用。这个容器中包含了一段无穷的空间延续，包含了一些细节，用以驻留人们四处游走的目光，包含了人们在进入空间时所体验到的氛围。

We hope to integrate antiques and contemporary art in this art space, integrate Eastern and Western cultures, and discover those truly eternal and passed down things. It is something that gradually fades with use and time, but becomes even more charming with the exposure of light. Through such a space, more people can be guided to experience how art can be integrated into their lives. Artworks from different periods will eventually merge here, forming different atmospheres. I hope that these ancient things can be re understood in such a container, and the values hidden in old objects can be awakened and utilized again. This container contains an infinite continuation of space, containing some details to capture people's wandering gaze and the atmosphere they experience when entering the space.

这原本是一个普通坡屋顶办公空间，层高4.2米，由于原始建筑结构的原因，地面存在220mm的高差。我们关注空间的使用功能本身，以一种循序渐进的方式，将大空间划分成入口门厅、接待区、大展厅、小展厅、员工办公区和办公室六个功能区。并利用4.2m的层高，局部设置二层仓储空间，在保证空间的高度的基础上，也兼顾实用性。

This was originally a regular sloping roof office space with a floor height of 4.2 meters. Due to the original building structure, there was a 220mm height difference on the ground. We focus on the usage function of the space itself and divide the large space into six functional areas in a step-by-step manner: entrance hall, reception area, large exhibition hall, small exhibition hall, employee office area, and office. And utilizing a 4.2m floor height, a two-story storage space is set up locally, while ensuring the height of the space while also considering practicality.

对于一个包含摄影功能的空间来说，“光线”是最重要的，打破该空间原始封闭边界，与外部阳光，空气，景观，产生互动和融合。在入口对景的大空间里，设计3.5米高度的落地窗，让外部自然光线以最大限度引入室内；在抬高区域的小展厅部分，我们将空间做局部后退，留出一部分灰空间作为阳台区域，并安装小分割的实木门窗，随时间的推移，产生不同的光影效果，这样在整个展厅内，就有了或犀利，或朦胧，或斑驳的不同光线，以配合拍摄所需的场景和质感。

For a space that includes photography functions, "light" is the most important, breaking the original closed boundaries of the space and creating interaction and integration with external sunlight, air, and landscape. In the large space opposite the entrance, french window with a height of 3.5 meters are designed to maximize the introduction of external natural light into the interior; In the small exhibition hall section of the elevated area, we will partially retreat the space, leaving a portion of gray space as the balcony area, and install small segmented solid wood doors and windows. Over time, different light and shadow effects will be generated, so that there will be sharp, hazy, or mottled different lights throughout the entire exhibition hall to match the scene and texture required for shooting.

在材质上，墙面我们采用可以很好的反映光线变化的大地色系微水泥，采用法国棕砂石材地面，以及柚木地板，书柜等，通过这样的方式亲近大地，触摸美丽的木材，从而来烘托古老事物的故事性和氛围感，用实墙和软质幕帘进行空间分割，四米高的通高门厅，和3.5米高的落地窗，形成阵列式的排布，营造强烈的震撼。

In terms of materials, we use Earth tone micro cement that can reflect light changes well on the wall, French brown sand stone floor, teak floor, bookcase, etc. By getting close to the earth and touching beautiful wood in this way, we can enhance the storytelling and atmosphere of ancient things. The space is divided by solid walls and soft curtains. The four meter high hall and the 3.5 meter high french window form an array layout, creating a strong shock.

平面图

Plan

設計方/木卡工作室

Design/MUKA ARCHITECTS

主案设计师/杨晔科

Design Director/Cookie Yang 

設計總監/ 张英琦

Chief Director/Linc Zhang

項目地址/ 杭州

Location / HangZhou

戶型面積/173㎡

Area /173㎡

竣工時間/ 2022年06月

Completion Time / June 2022

施工 /余恩建筑工程工作室

Construction / Y U N Team

攝影/ Lucy

Photography/ Lucy