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“勾勾手设计网”!勾勾手刘志广生活记录 Liu said 人民币又开始在贬值,外贸又要创新高了,我们要发力外贸!所以近来我会收集国外的轻钢住宅款式,吸引有兴趣一起挣美金的朋友,一起挣全世界的钱!
The RMB has begun to depreciate again, and foreign trade is about to reach a new high. We must exert our strength in foreign trade! So recently I will collect foreign light steel residential style, attract interested friends together to earn US dollars, together to earn money around the world!
第一次来到这片土地,第一眼看去,这个新项目的设计前提是明确的。对自然最好的表达和尊重。在毗邻的土地上,一个长廊森林,一个保护区,保持了这个地方的精髓。如何忽视曾经生活在那里的力量和活力?这里的主导角色是共享的,自然本身以及建造和设计自然的工作。没有试图脱颖而出,而是共存,总是记住每个部分的价值,在不断的沉思和凝视剩余的树木。
On the first visit to the land, with the first look, the design premise of this new project was clear. Nature in its best expression and respect for it. On the adjoining land, a gallery forest, a protected area, maintained the essence of the place. How to ignore all the strength and energy that was lived there? The leading role here is shared, nature itself and the work built and designed from it. There is no attempt to stand out, but rather to coexist, always remembering the value of each part, in constant contemplation and gaze towards the remaining trees.
平面布置图
因此,这项工作是根据土地及其周围环境提供的指导方针设计的;这项工作试图要求自然地形允许站在其上,尽可能减少改造的影响。它轻轻地放在各种接触点上,让地面尽可能自然地沿着房子的路线通过。然而,尊敬地把自己放在其中这个简单的事实,它产生了景观本身的变化,而自然,随着它的不断变化,也不断修改作品本身。这里诞生了工作与环境的第一个互惠关系。
住宅的形态由两个体量组成,它们在两米宽的走廊中相互连接。一方面,社会部门的环境融合了厨房、餐厅和起居室,从地板到天花板都是宽敞的玻璃幕墙,其中可逆性与外部空间的联系突出。它的标志是两个平面,暴露的混凝土地板,这是分离的自然地形,和天花板,其木质天花板清楚地标志着斜坡。两者之间由大型窗户隔开,这些窗户将它们连接在一起,同时消除了信封的物质化,创造了一个多孔的空间。围绕这个体量的画廊作为一个中间的,混合的空间,允许在室外和室内之间,或者两者之间的不断交换,同时从技术上分析它使这些平面脱颖而出。但这不是一个小细节,这个画廊作为一个建设性的工具,以防止天气。
The morphology of the house is formed by two volumes that are connected in the two-meter wide corridor. On the one hand, the social sector, with an environment that integrates the kitchen, dining room, and living room, is spacious and glazed from floor to ceiling, where the link of reversibility with the exterior space stands out. It is marked by two planes, the exposed concrete floor, which is detached from the natural terrain, and the ceiling, which with its wooden ceiling clearly marks its slope. Both are separated by large windows that unite them while dematerializing the envelopes and creating a porous space. The gallery that surrounds this volume works as an intermediate, hybrid space that allows the constant exchange between being outside and being inside, or both, while analyzing it from the technique makes these planes stand out and stand out. But it is not a minor detail, that this gallery works as a constructive tool for protection against the weather.
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