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刘老师说

Liu said

我们被要求在松树和橡树的平原上，设计一个树屋。参观完遗址后，选择了一棵年轻健康的松树，它位于俯瞰大西洋的高原上。我们假设这棵松树可以作为房子的保护，而且这个项目可以拥抱这棵树。因此，它成为自然选择材料-从结构到覆盖，通过其内部: 松木。项目的好处就是可以在白天看到远处的景色。到了晚上，它有利于观测天顶，因为除了星星之外，几乎没有其他光源。通过这种方式，房子暗示了一天中不同的体验和自然光源的变化。

 We were challenged to design a tree house on a plain of pines and cork oaks. After visiting the site, a young and healthy pine was chosen, on a plateau overlooking the Atlantic Ocean. We assumed that the pine would serve as protection for the house and that the project would embrace the tree . Thus, it became natural to chose the material — from the structure to the covering, passing through its interior : pine . The project benefits of a view over the horizon during the day. At night, it favors a zenith view, since there are few other sources of light beyond that of the stars. In this way, the house suggests different experiences throughout the day and change of source of natural light.

平面布置图

外部的原材料关系到树皮和粗糙的表达。相比之下，并由于选择在其完成，相同的材料导致了轻量级和柔软的内部。巢穴的创造体现在房子的立面姿态，外观上的处理过的木头，以及内部的净化。

The raw materiality of the exterior relates to the bark of the trees and rough expression. By contrast and due to the choice in its finish, the same material resulted in a lightweight and soft interior. The creation of a nest is present in the gesture of the elevation of the house, on the wood of handled appearance on the exterior, and on the depuration of the interior.

简单的空间体验，从一开始，就是客户的关键要求，使得与城市生活方式的距离更加明显。通过这种方式，允许这个概念向外发展是有意义的，通过阳台，靠近树梢，可以看到大海，在一定距离内可以呼吸，看到和感受大自然。

The simplicity of the spatial experience was, from the beginning, a key requirement of the client, making more palpable the distance from an urban way of life. In this way, it made sense to allow the evolution of this concept to the outside, through a balcony, near treetops and with a view of the sea, at a distance — space to breathe, see and feel nature.

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勾勾手|中国

，是为解决设计者及中小型工作室、设计公司、民宿宿主及项目投资者等对设计、建材、灯具、家具、民宿、施工等产品的落地公司，一站式问题的解决者。集策划设计、产品开发、品牌运营、施工等的综合体。。

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