杭州森博度假村树屋丨中国杭州

2021/01/25 09:35:29

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萧山湘湖度假村内的巢居，“树屋”属于杭州森博度假村酒店区。树屋可能源于回到“巢居”的愿望。在得到“树屋”的命题并经过深思熟虑之后，我们逐渐澄清了这个概念：树上的独居生活，而是群居状态，最能强化筑巢的特点，“一群落在树枝上的小木屋”成为最初的形象。

Nest Residence

Located in Xiaoshan Xianghu Resort, the ‘Tree House’ belongs to the hotel district of Senbo Resort Hangzhou. The tree house may originate from the desire to return to the ‘nest residence’. After getting the proposition of ‘tree house’ and taking careful consideration, we gradually clarified the concept: it is not the solitary living but the state of gregariousness on the tree that can strengthen the characteristics of nesting the most, -‘A group of cabins landing on the branches’ emerged as the initial image.

在几何和自然之间堆叠抽象体量的设计在欧洲和日本已有先例，但大多数更倾向于几何操作，往往局限于内部经验。基于这个项目的商业特性和山地环境，我们重点关注抽象与形象、室内与室外、几何与自然之间的平衡。

Between Geometry and Nature

The design of stacking abstract volumes of residential prototype has precedents in Europe and Japan, but most are more inclined to geometrical manipulation and often limited to the internal experience. Based on the commercial character of this project and the mountain environment, we focused on the balance between abstraction and image, indoor and outdoor, geometry and nature.

因此，“二元和平衡”的方式贯穿于设计的各个方面。模拟的枯死的树干直接唤起了自然筑巢的画面，但避免了繁茂的树叶过于真实。单坡屋顶基本上没有屋檐，保持了简单的几何特征。每个小屋都有一个阳台，原有的立面也呼应了周围苍翠的森林。这些体量依偎在自然的树木之中，而这些形状之间的交错关系，保留了一种人为的状态。

Therefore, the manner of "duality and balance" is implemented through all aspects of design. The simulated dead tree trunk directly evokes the image of nesting in nature, but avoids over-realism with lush foliage. The single sloping roof basically has no eaves and maintains simple geometric features. Each cabin has a balcony, and the original facade also echoes the verdant surrounding forest. These volumes are nestled with natural trees, and the interspersed relationship of the shapes retains a certain artificial state.

三个元素交织在一起: 小路、平台、房屋。树屋的体验从“爬树”开始。我们特别注意户外小径和体验——曲折小径就像“攀爬” ，不同高度的户外露台就像“树枝” ，很少休息，房子就像树的“果实”。小路蜿蜒曲折，光影交替，而露台则是一个舒适的户外活动空间。虽然每个树屋都包含几棵具有结构功能的人工树，但在概念上它是一棵由“路径-平台-房子”三个元素组成的“大树”。

The Interweaving of Three Elements: Path, Platform, House

The experience of the Tree House starts with "tree climbing". We pay special attention to the outdoor path and experience - the zigzagging path is like "climbing", outdoor terraces of different heights are like "tree branches" for little rest, and the house is equivalent to the "fruit" of the tree. The path has the experience of winding, light and shade changes, while the terrace is a comfortable outdoor activity space. Although each Tree House contains several artificial trees with structural functions, it is conceptually a "big tree" composed of three elements of "path-platform-house".

考虑到树屋在家庭和青少年中很受欢迎，六个房间采用两种形状：凹形阳台双坡屋顶和凹形阳台削角四坡屋顶。后者进一步加强了童话效果。在最初的设计中，有一个滑梯从平台滑到地面，增加了乐趣。当夜幕降临，七个小矮人的故事就要开始了。

The Fairy Tales

Considering that the Tree House is popular among families and the youth, the six rooms adopt two shapes: double slope roof with concave balcony and cut corner four slope roof with convex balcony. The latter further strengthens the fairytale effect. In the original design, there is a slide from the platform to the ground to add fun. When the lights come on at night, it seems that the story of the "seven dwarfs" is about to begin.

Incomplete tree house was so popular that it became an internet celebrity check-in point, and was even used in the opening title of Faye Wong’s new 2021 AD campaign. However, for designers, there are still many regrets. During the construction, the oversimplification of the single facade, the change of window shape, the discard of the wooden shingle, and so on, all make its effect eroded.