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YIBEI DESIGN SUZHOU
艺术创作已迈入总体艺术品的时代,基于艺术作品的现代主义原则,设计师的作品在其空间在设计中找到了最充分的表达,这些空间设计结合了工作室的作品以及有限性和实验性的概念。
Artistic creation has entered the age of the total artwork. Based on the modernist principles of the artwork, the designer's work finds its fullest expression in the design of its Spaces, which combine the studio's work with concepts of finitude and experimentation.
展厅中选择了中性色,以此来凸显展品的质感。让四周的留白更加充足,展示区域便更加“有题可做”。
Neutral colors were chosen to accentuate the texture of the exhibits. Let the white space around more sufficient, the display area will be more "subject to do".
简化空间内部结构及设备的复杂度,一种抓眼的极简造型呈现在空间中。
Simplify the internal structure of the space and the complexity of equipment, an eye-catching minimalist modeling is presented in the space.
设计师对光影的拿捏也十分精熟。展厅的另一个展区从墙面、地毯、家具,形成一个色彩的连续。然而色彩装饰空间所带来的张力离不开产品的加持,每一处都充满戏剧性。
Stylist is also very good at handling light and shadow. Another exhibition area of the exhibition hall from the wall, carpet, furniture, form a continuous color. However, the tension brought by color decoration space cannot leave the blessing of products, each place is full of drama.
线、面与构件沿着形式逻辑和内在结构有条不紊地展开,带来了韵律的美和深度的层次。
Lines, surfaces and components unfold methodically along formal logic and internal structure, bringing about rhythmic beauty and layers of depth.
在曲线上,圆比方更具有艺术表现力。用曲线来中和直线,合理运用几何形状的美,完成搭配,构成空间和谐的气氛。
On the curve, the circle analogy is more artistic. Neutralize straight line with curve, apply the beauty of geometric shape reasonably, complete collocation, make dimensional harmonious atmosphere.
光线穿过绿植,穿过玻璃,穿过空气与温度,在空间中跳跃、叠加、折射。新的明暗和内外关系随着暮色衍生开来。
Light passes through green plants, through glass, through air and temperature, jumping, stacking and refracting in space. New light and shade and internal and external relationships develop with twilight
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