设•宴丨中国沈阳

对感受的深度关注是一切的开始。在当代空间中，如何回望传统？传统在现代生活中如何表达？这是设计师张猛对这个项目设计语言的思考……设宴是未来的，也是当下的。能代表文人对自我审视与认知的至高境界，以自然为敬的谦卑，对话空间，发现自己。

It all begins with a deep focus on feeling. How to look back to tradition in contemporary space? How is tradition expressed in modern life? This is the designer Zhang Meng’s thinking on the design language of this project… ‘Sheyan’ is for the future as it is about the present. It can represent the highest level of the literati’s self-examination and cognition, humility with respect to nature, space for dialogue, and self-discovery.

延续了艺术走廊的意象，入口处具有舒适感、呼吸度与梦幻艺术感，犹如现代桃花源。穿过迂回的前厅，进入主体空间。视觉完成由暗转明的过渡后，不再用色彩或是强烈的明度对比来明确界定空间，而是希望借视觉的错落赋予空间不断被开发的可能性。

Continuing the image of the art corridor, the entrance has a sense of comfort, breathing and dreamy art, like a modern Peach Blazing Land. Enter the main space through the circuitous vestibule. After the vision completes the transition from dark to bright, no longer uses color or strong brightness contrast to clearly define the space, but hopes to lend the scattered vision to give the possibility that the space is developed continuously.

▼前厅，the lobby © 图派视觉

▼展厅，the gallery © 图派视觉

“它像是一个剧场，每个对文化敏感的人、每个对传统有情怀的人，多少都有一场梦与它相关。我希望它装得下独处的‘自白’，承载一群人的狂欢。”张猛说。

“It’s like a theater, and everyone who is culturally sensitive, everyone who has a feeling for tradition, has a dream associated with it. I hope it can hold the ‘confession’ of solitude and carry the carnival of a group of people.” Zhang Meng said.

当设计师为自己而设计时，他希望这个空间是什么样的？“人生阅历的厚度在此一一展现，随心随性一切皆由自己喜好而设，心爱的艺术品尽数收藏。一个人独处时，既能享受清闲而又不觉得孤单。”

When the designer designs for himself, what does he want the space to look like? “The thickness of life experience is shown here one by one, follow the heart and everything is set by their own preferences, beloved art collection. When you are alone, you can enjoy your leisure without feeling lonely.”

▼会客区，meeting area © 图派视觉

▼品鉴区，tasting area © 图派视觉

▼用于聚会的长桌，the long table for gathering © 图派视觉

▼透过百叶窗看室外，view through the shutters © 图派视觉

▼木质展示柜，the wooden display cabinet © 图派视觉

对空间的再造，设计师张猛亦以纵向视觉为先导，放大开窗的尺度，设植物墙，让林与山相接，光影与植物相对，意境丛生。又以“笔墨”为丘壑，用“中式造园”的理法赋予设宴文化的意念，为居者留出应变的可能，塑造一景、一物、一艺与身体的契合度，令其可观、可居、可游。

For the reconstruction of space, the designer Zhang Meng also takes the longitudinal vision as the forerunner, enlarges the scale of the window, sets the plant wall, lets the forest and the mountain connect, the light and shadow are opposite to the plant, the artistic conception is cluster. With ink painting hills, with the “Chinese style garden” theory and method to give the idea of banquet culture, for the residents to set aside the possibility of strain, shaping a scene, things, art and the body fit, make it considerable, for live, for travel.

▼室内陈设，the furnitures © 图派视觉

张猛截取中国水墨画的“墨色”，赋予它光的照拂，光影轮回间便可以感受到水墨在暗夜下的层次，所以空间用“黑”做主调，神秘朦胧。他不喜直白，喜欢那种不易被直接看穿或是理解的事物，因为理解艺术时，体验和探索的过程必不可少，又是一番乐趣。

Zhang Meng intercepts the “ink color” of Chinese ink painting and endures it with light and brush. In the cycle of light and shadow, you can feel the level of ink painting under the dark night, so the space uses “black” as the main tone, which is mysterious and hazy. He doesn’t like to be direct, he likes things that are not easy to see through or understand directly, because in understanding art, the process of experience and exploration is indispensable, and it is also a pleasure.

▼细部，details © 图派视觉

私人属性与社交属性在此交织，邀友人相聚，私密性、稀缺感更添一份高级定制的尊崇。私属小厨现场烹饪美食，在酒与火的催化下，让一场夜宴达到高潮。

Private attributes and social attributes are interwoven here, inviting friends to gather, privacy, scarcity of a sense of respect for haute couture. The private kitchen cooks the delicious food on the spot, under the catalysis of wine and fire, let a night banquet reach the climax.

▼进入私属小厨，the private kitchen © 图派视觉

▼吧台区，the bar © 图派视觉

设宴所打造的“自然之境”，是“不出城郭而获山水之怡”，又是“身居闹市而有林泉之致”。设宴，终究在输出设计师当下的生活，拟仿自然，再造室内的“山水”。空间的地面采用统一的材质，这更强化了它的整体性、开放性和流动性。空间的界定存在一种似是而非、似离而合的朦胧感，这正是东方迥异于西方的美学表达。

The ‘natural environment’ created by ‘Sheyan’ is “the pleasure of mountains and rivers without going out of the city’ and ‘the pleasure of forest springs while living in the downtown area’. ‘Sheyan’, after all, in the output of the designer’s current life, imitation of nature, reconstruction of indoor “landscape”. The floor of the space is made of a uniform material, which reinforces its integrity, openness and fluidity. The definition of space has a vague sense of speciousness, speciousness and confluence, which is the aesthetic expression of the east different from the west.

▼细部，details © 图派视觉

张猛无意复刻绘画或园林的具象符号，而是从中国美学意识中抽象化地提炼，并为“友人”留出不设限的空间、闲谈、品茶、或小酌几杯，抒发关于“聚”的生活态度。在时间流转、日光变幻、人与境交互间，快节奏工作之外，一场盛宴为生活镀上不同颜色。属于美食的生活哲学，正是张猛式“对白”的开场。

Zhang Meng did not intend to reproduce the concrete symbols of paintings or gardens, but abstractly extracted from the Chinese aesthetic consciousness, and set aside unlimited space for “friends”, chatting, drinking tea or having a few drinks to express his attitude towards life about “gathering”. In the time flow, the change of daylight, the interaction between people and the environment, in addition to the fast pace of work, a feast for life plating different colors. The philosophy of life that belongs to gourmet food is just the beginning of Zhang Meng’s dialogue.

▼细部，details © 图派视觉

Project name：Sheyan Project site：Shenyang Design company：Coming Future Architectural Space Design Co., Ltd [Liaoning] Design director：Zhang meng Product designer：Jianglingli Decoration Designer：Zhangdi Completion time：October 2020 Project area：200 square meters photography: Tupai Vision Video: Tupai Vision