棕榈树下的户外家具展示空间

架构师提供的文本描述。棕榈树，小屋和躺椅.。这实际上是一个展示室PLICOSA，一个户外家具展示给批发商，一个空间出售户外舒适给那些谁知道如何最好地卖给我们。

Text description provided by the architects. Palm tree, hut and lounger ... this is in essence SHOWROOM PLICOSA, a display of outdoor furniture for wholesalers, a space to sell outdoors Comfort to those who know how best to sell it to us.

一个足够抽象的空间，可以改变每一个季节而不会失去它的原始状态，在外面.或者至少假装是！

A sufficiently abstract space to be able to change each season without ever losing its primordial condition, being outside ... or at least pretending to be!

© José Hevia

(JoséHevia)

商业机构内的外层空间是如何形成的？.反对？如果有内饰而我不在里面，那我就出局了？.全进去了！

And how does onecreate outer space inside a commercial establishment? ... by opposition? If there is an interior and I'm not inside then I'm out? ... ALL IN!

我们的商业空间是由于增加了8个带有微梯形的附属工业单元(20m×7.60/8.20m)，因此当拆除这7个内部隔板时，一个1.235平方米的空间出现了一片​​柱海，其高度为5.80m，且略有径向。

Our commercial space resulted from the addition of 8 attached industrial units with a slightly trapezoidal shape (20m x 7.60 / 8.20m), so when the 7 internal divisions were removed, a sea of ​​pillars appeared on a 1.235m2 space, 5.80m high and slightly radial plant.

© José Hevia

(JoséHevia)

最出色的外部家具是藤条扶手椅，这是一种源自印度尼西亚的攀缘棕榈，其纤维是无刺的，非常灵活和极具抵抗力。

The exterior furniture par excellence is the rattan armchair, a climbing palm of Indonesian origin whose fibers are non-prutescent, very flexible and extremely resistant.

© José Hevia

(JoséHevia)

1.从棕榈树上，藤条；从支柱森林，棕榈林；3和内外，木屋在森林。然后是8扇8米宽、4米高的窗户，这是一个70米长的电影院屏幕，供人们观看和观看。

1. From the palm, the tree rattan; 2. From the Forest of pillars,the Palm Grove; 3.andfor the inside / outside, the cabin in the forest. Then the 8 windows 8m wide and 4m high, a 70m long cinemascope screen to watch and to be seen.

Axonometric

我们在太空中找到自己的方式的自然方式是把我们的身体相对于附近的两个点，我们就像在导航时一样进行三角测量.我们从来没有画过一幅笔画！

The natural way in which we find our own way in space is by placing our body in relation to two nearby points, we triangulate just as when navigating ... we never draw a mentalgrid!

© José Hevia

(JoséHevia)

在此认知证据的基础上，我们建立了适应棕榈树林节奏的空间组织结构，并采用“微径向”三角剖分模式。

Based on this cognitive evidence we established the spatial organization of the set adapting to the rhythm of the forest of palm trees with a "slightly radial" triangulation pattern.

© José Hevia

(JoséHevia)

而且仅此而已：支撑围裙和阳台的支撑支架，筛选和通风的柏树格，黑色管道和空调轴，比如覆盖它们的夜晚，盒子里的盒子，被组装成俄罗斯娃娃的等级，以及为展览准备的“外”空间，无论是杜鲁门还是独立的你的家。

And little more: restraining braces that support tribunes and balconies, lattices of cypress that sift and ventilate, black pipes and air condition shaftslike the night that covers them, boxes inside boxes, hierarchies that are assembled as Russian dolls and the resulting "outer" space prepared for the SHOW, whether Truman or the independent Republic of your home.

© José Hevia

(JoséHevia)