30 平米画室的超越空间

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Jun Igarashi Architects

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Jun Igarashi Architects

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这个小小的画室位于札幌市北部安静的住宅区中。工作室与主楼独立，主要用作画室，带有储藏室，小厨房等附属功能用房。面积只有30平米，建筑位于场地中间，四周留出公共和私人停车位。

This is a plan of a small atelier. The site is a quiet residential area located in the north of Sapporo City. The atelier was hoped for there as parting of an existing main building. As the program, the practice and the announcement association etc. of the space and flamenco for the painting were possible space, storage room, and small kitchen, the rest room, and the roasting room, etc. were requested.

As for the scale in the building, it decided to about 30㎡ according to the cost etc. , and the site planning and other states also started the inclusion study. First of all, to secure a visitor and private parking space, the building is arranged at the center of the site. Then, the spreading line can be exchanged, and choices of the outside wall increase. As a result, it leads to the cost reduction.

这个小小的画室有些不一样，30平方米对于一件画室来说面积足够，可以是要容纳其它功能就显得有些仓促。为此，建筑师将其它的功能围绕画室排布在外侧，用门相隔。画室形状不规则，具有向心性，就像是一个舞台，这30平米的舞台虽然有限，但是延伸性却远不止30平米。建筑师也曾多次想，做一道比较暧昧的墙，它坚固但是柔和，允许光线进入但是昏暗。周边均质排列着大小一样的门（有的门通往功能房，有的面向室外引入自然光），这些门会给人心里暗示，门后还有更多的空间。其中北向门是主入口，最大，也能引入最多的北向稳定光线，其它方向面对室外的门引入的光线则不是那样稳定，可以通过控制门的开合而通知光线的进入。

一个小小的物理空间，却又远远超越自身。

Next, it thinks about the main two different usages. There are as much as 30㎡ and it is enough though the painting depends on the size of the picture. If it is several scales, the practice of flamenco is enough areas. Only when used as an announcement association, it becomes a little tight space when becoming it. It thinks about other conditions etc. at the same time by imagining a simple form like the stage and the seat, etc.　I wants to give the limited space of 30㎡ and to give the extension of the space on not a physical area but consideration and psychology.

I have thought many times like this in the past. The person makes the psychological condition of imagining the opponent from making half transparent wall at one stage, the strong, optical, rugged existence of the opponent, and seeing dimly. I wanted to give the extension of the space on such psychology to this space. Then, four functions other than the typical application are evenly arranged, and the same size as of each door is installed. I wanted to recollect the extension on psychology though it was recognized that the opponent had the function by the state where this door was consecutive.

It squeezes it like the choosing amphitheater on the north side while securing a minimum stability lighting as the atelier at the same time. On the other hand, it becomes not horned to round and the depth of the space becomes vague. Moreover, the door is consecutive, and the space on psychology or more amplifies to this rounding wall. The lighting room is made as a method of taking light in the south besides the stability lighting on the north side. Light from the south assumes the state of the diffusion light, and, in addition, adjusts light by the lighting room because it is strong by slight opening and shutting of the door.

It was thought that it wanted to acquire the sense more than a physical space though it was a small space.

Location: Sapporo, Hokkaido

Principal use: Atelier

Design period: 2009–2010

Construction period: 2010

Architects: Jun Igarashi Architects

Structural engineer: Daisuke Hasegawa & Partners

Site area: 395.71m2

Building area: 40.35m2

Total floor area: 39.11m2

Number of stories: 1 above ground

Structure: Timber frame

Construction firm: Akasaka Kenchiku

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