上海外滩帝景·晶采轩丨中国上海丨PROL光石

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项目位于上海外滩金融街和北外滩国际航运街交界处的海湾大厦27-32层，共有大小包房10间，凭窗可以俯瞰外滩全景及浦东陆家嘴全貌。

The project is located on the 27th to 32nd level on the corner between Finance Street of the Shanghai Bund and International Shipping Street in the North Bund. It contains ten suites of various sizes. One may view the Bund and Lujiazui from the window.

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帝景·晶采轩

的室内设计十分大胆的将原来的建筑空间重新解构，弧形的旋转楼梯贯穿29到31层，马列维奇风格的线型艺术不落窠臼地融汇在室内空间各个角落。作为高端餐厅，不加繁复的矫饰，反而以块面的堆叠、线条的穿插、材料肌理的碰撞使得空间本身就成为一个巨大的艺术品。我们用“隐性的光”去面对这个“空间装置”，通过照明的主动思考和介入，让人在寻访和就餐的过程中完成对空间、自我以及外滩三者的感知。

The interior design of Exquisite Bocuse reinvents the original space. The arc-shaped stairwell extends from Level 29th to 31st. The Malevich-style linear art integrates into various interior corners. As a high-end restaurant, it doesn’t add complex decorations to the premise. Instead, the space becomes an enormous art piece by stacking sides and crossing lines. We use hidden light in the space. Through the intervention of lighting, one may obtain a delicate sense of the space, oneself, and the Bund through the process of dining.

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27层电梯厅作为一个蓄势的小空间，在视觉上是非常内敛低调的，借由从立面缝隙逗露出的微弱面光凸显了自然石材的肌理感，一股清流注入静水，斑驳的水光反射到天花上，更显空间空灵沉静。

As a smaller space, the elevator hall on Level 27th is rather recessive visually. The texture of the natural stones has been highlighted through the faint light from the recession on the side. A thin stream of water reflects its light on the ceiling, strengthening the serenity of the scene.

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乘坐电梯来到用餐区，楼梯蜿蜒旋转，灯光设计在反复计算和实验后，阵列的迷你地埋灯随楼梯拾阶而上，将楼梯底口舒展的形态在灰空间中提炼出来。楼梯踏步线条灯的螺旋排列与空间中分割平面的“线”相呼应，将客人引导而上，转换电梯核心筒的弧面语言和悬挂在虚空中的球形艺术装置被柔和的灯光拂过，呈现出纯粹几何形体的美感。这些视觉记忆点被灯光组织与收纳，以平和优雅的光泽与窗外五光十色的夜景形成鲜明对比，留下深刻的视觉印象。

When one arrives at the dining area via elevator, one may see the swirling stairwell. The lighting has gone through various calculations and experiments. The mini ground lightings rise with the stairs, highlighting the final expansion of the stairwell in the grey zone. The rotation of the lighting echoes the lines of the separated plains within the space, guiding the visitors upward. The arc design of the elevator and globe art hanging in the air are touched by gentle lighting, presenting a geometric beauty. The visual highlights within the space have been strengthened by the arrangement of lighting, contrasting the gorgeous night view outside the window.

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包房内灯光的角色在设计与调试过程中经历了多次思考和尝试，我们认为其与玻璃幕墙外的瑰丽景观一争喧豗无疑是不理智的。整体上，包房照度被控制在一个相对较低的水平，尽量减少镜像效果对夜间观景的影响。空间上，大量暗藏的面光从弧形的墙面蔓延到天花上，围合成为温润的场域，背景墙运用了现代艺术馆的方式整面洗亮，与空间洗练气质契合的同时，也为空间内更换艺术展品提供了便利。

The interior lighting within the suite has gone through multiple tryouts. One shouldn’t compete with the view outside the window. The lighting within the suite is subtly controlled, in order to decrease its impact on the night view. Within the space, hidden light extends to the ceiling from arc-shaped walls, becoming a warm area. The background wall is polished like a modern art museum. In addition to echoing the beauty of the space, the owner could also change the artifacts on display easily. 

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当暮色低垂，外滩和陆家嘴的灯光次第亮起，平和甚至略带禅意的空间不带丝毫矫饰，但又将户外尽收眼底的滚滚红尘接纳融合为一，仿佛“非空非有，亦空亦有”的意味。极净极简的光影韵律之下， 简约优雅的气质与艺术美学被尽数呈现，让客人在独特的用餐环境中深刻感知现代高端中餐文化的高级意境。

At dusk, the light of the Bund and Lujiazui shines and creates a zen-like space. The interior is combined with red lights from the outdoors, presenting a sense of emptiness and presence. Under the rhythm of light and shadow, simplicity, elegance, and aesthetic art are all presented, allowing guests to deeply feel the high level of modern high-end Chinese culture in a unique dining environment. 

项目名称：

帝景·晶采轩

项目地点：

上海

完成时间：

2021年

业主单位：

上海景帝餐饮管理有限公司

照明设计：

PROL光石

项目摄影：

TOPIA图派视觉 

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关于设计师：

李辉（左）&富丽（右）

关于PROL光石：

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由富丽女士和李辉先生于2010年共同创立的PROL光石普罗照明设计有限公司，是一家专注提供灯光设计的创意服务机构。也是国内首家提出“探索光的隐性价值”的设计理念并一举获得诸多国际大奖，成为中国新生代灯光设计的领军机构。2019年被媒体誉为“仿佛是一种安静的，周到的，经过自然洗礼的体验，具有高度精致的东方美学特征与魔术般的商业价值“。

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PROL光石提供国际化的灯光艺术设计，灯光艺术产品，灯光艺术行为等设计服务。服务范围覆盖公共设施、文化设施、办公楼、酒店、住宅、大型综合商业体等。公司自创立至今，先后与洲际、安麓、希尔顿、万豪、费尔蒙酒店及度假村、君澜酒店集团、朗廷酒店集团、雷迪森酒店及度假村、万豪国际集团等酒店管理集团建立了良好的合作伙伴关系；与保利集团、融创中国、华润置地、万科集团、中海地产集团有限公司、光大集团等多个巨头发展商达成了密切合作；更是参与到诸多国内外知名设计公司的项目之中，受到极高的品牌关注和专业肯定。

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PROL光石认为光是空间的一种材质。不以类型化设计作为服务准则，不以项目的规模作为设计投入成本的衡量标准。光石关注的，是在设计之中对发展和成长提出新问题的解决方法，以及探求灯光设计边界无限的隐性价值。

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